Friday, January 31, 2020
Many of you know I like talking about movie memories. Movie FanFare posted a series of questions that you might be interested in answering yourself if you are as avid a movie experience fan as I am.
(from the Movie FanFare website):
What was the first movie you remember seeing in the theater?
Well, I am 58 years old and my memory has gone south for the winter. I definitely remember seeing Bedknobs and Broomsticks on the big screen, but I think I may have seen The Love Bug, which came out a few years earlier. At any rate it had to have been a G rated Disney flick because that's all Dad let us go see at that age.
What are your best and worst movie going experiences?
Best: Would have to be seeing the original Star Wars, unmolested by George Lucas with that damn CGI crap he added years later. Two things made this movie great. First, it was the first PG movie my father finally consented me and my sister to go to, and second because it was just me and my sister, without parents or a horde of other kids on a joint viewing venture. The best memories are when she would go with me, which wasn't all that often.
Worst, hands down. I took my annual Christmas vacation in 1997. I delayed going home by one day so I could go see the Kevin Costner film The Postman. Bad choice. 3 hours of pure boredom. I kept looking at my watch and wondering how much damn longer is this movie going to last? I have NEVER walked out of a movie in my life, but this one came the closest to making me do that. And the worst part? It was my birthday, making it the worst birthday I ever had also.
What movie did you see the most times in the theater and why?
I went to see An American Werewolf in London once a week for every week it was in the theater (4 times). Why? Because it was the funniest damn thing I ever saw. I enjoyed going each successive time and trying to find a couple of girls to sit behind. And laugh my head off at the funny/scary parts. And have my victims look around at me and be like "What are you laughing at? This is scary..."
Did you ever work in a movie theater? If so, share some stories from the multiplex.
No, I never did. But if I had, I would have opted for a drive-in rather than a multiplex.
What was your childhood movie theater? What made it so special?
The indoor movie theater, in downtown Denison, Texas was called The Rialto. They don't make movie theaters like this anymore. It had a balcony, which was always cool to sit in.
Years later a mall opened up down the road in Sherman, which was the first "multiplex" I ever watched a movie in (they had four screens). It wasn't fantastic, but at least I had options of four movies.
There were also two (count 'em, two) drive-in theaters, both of them in the same area, across a highway from each other. The Twin Cities Drive-In and The Sher-Den Drive-In. (they were on the border between Denison and Sherman, hence the names). My favorite memories of drive-in theaters stems from visiting those two. They are both long gone now. One was replaced by an apartment complex and the other is now the site of a convenience store.
Do you prefer seeing movies in a theater or at home?
About the only time I go to the theater to see a movie now days is if there is a potential of some great special effects, explosions and the like. If its just a standard drama I usually hold out until it comes out on DVD. I will make exceptions for when Flashback Cinema is airing a classic. Went to see Gone With the Wind last Sunday.
How do you feel about going to the movies nowadays?
Truth be told, if it wasn't for a local theater called The Spot having reclining seats I might have stopped going to movies altogether. Somebody should be enshrined in the Movie Theater Hall of Fame for coming up with that idea (and seat service where they bring food to you...)
Feel free to answer these questions on your own blog. But please, don't give credit to me, give it to Movie FanFare.
Thursday, January 23, 2020
This is my entry in the Wedding Bells Blogathon hosted by Hometowns to Hollywood
The first of Barry Levinson's tetralogy of Baltimore movies (the others include Tin Men, Avalon and Liberty Heights) was also his directorial debut. The man who eventually brought us Rain Man, The Natural and Good Morning, Vietnam, hit one out of the park on his first try. Diner went on to compete for the Oscar for Best Original Screenplay (losing to Gandhi) and jump started the careers of virtually every actor in it.
|The guys hanging out|
Paul Reiser, Tim Daly and Ellen Barkin made their debuts in it, but even the rest of the cast were virtual unknowns at the time. Steve Guttenberg, Daniel Stern, Mickey Rourke and Kevin Bacon round out the cast as a bunch of guys who spend most of their time just jawing over fries and gravy at a local diner.
Each character has something going on in his life that is transcending him from high school graduate to a life in the real world. Not sure exactly how old the characters are supposed to be here, but none of them are very many years out of high school, and at least one hasn't matured much since his graduation.
The central theme is how each is dealing with life on the outside of the hallowed halls of school. You have the guy who got married just out of high school. You have the law student who has a serious gambling addiction. You have the guy who is planning his own marriage, but wants to make sure his betrothed is worthy of him so is planning to test her on her knowledge of his beloved Baltimore Colts. (The movie takes place in 1959, when the Colts were still in Baltimore). You have the wanna be comedian. You have the guy who is struggling with the concept of maturity. And you have the guy who just returned to town for the wedding and may have a marriage in his future, at least if he can convince the girl to do so.
It is 1959, Christmas time. Six guys who spend most of their free time palling around with each other, always seem to end up at the local diner.
Edward Simmons "Eddie" (Steve Guttenberg)
Eddie is on the verge of getting married. But Eddie is a diehard Baltimore Colts fan. So much so that he thinks his wife-to-be should at least have a passing knowledge of the team and it's history. (Can you see the potential "football widow" in the future?) He has a test he plans for his betrothed and if she doesn't pass, well, its "adios, muchacha" for him. Seriously. He is going to cancel the wedding if she can't get a passing grade on his Colts test. I know plenty of Dallas Cowboys fans who are insane about their team, but I don't know any who would pass on a wife just because she was not as avid a fan.
Steve Guttenberg is the only one of these guys I thought was miscast. Maybe it's because I've seen way too many movies where Guttenberg was a more rational down-to-earth kind of guy. Not that he doesn't pull it off well. It was just hard for me to imagine the actor in the role. Myself, I would have switched Guttenberg with Daniel Stern in their respective roles. I could imagine Stern as an obsessive fan. Of course, that could be because Stern did a turn as an obseesive fan in Celtic Pride...
Laurence Shrieber "Shrevie" (Daniel Stern)
|Shrevie (w/ a customer at the store)|
Shrevie is the sole married man of the bunch. He got married to his high school sweetheart, Beth (Ellen Barkin) fresh out of high school. He works days in a TV sales shop. Nights he hangs out with his friends at the diner, and occasionally harassing Beth because she can't quite grasp his obsessive organization of his records. I mean really, putting a James Brown record back on the shelf in the rock-and-roll section, when any simpleton can see that it belongs in the R & B section. Which of course Beth doesn't quite get and is moved to tears by Shrevie's tirade.
Robert Sheftell "Boogie" (Mickey Rourke):
Boogie is a law student by day. But his real passion is gambling. I get the feeling this guy would gamble on whether a particular chocolate had a nougat center or a Brazil nut. He has numerous sure bets that he tries to get the other fellows in on, as well as betting on whether he can score with the local Ice Queen. He is in deep doo-doo with the local bookie however, owing $2000 (at a time when that much would almost pay for a new car...) and is constantly trying to recoup his losses with even more elaborate bets. Don't miss the scene where Boogie tries to pass off a different woman as the one he bet the guys he could get into bed with.
William Howard "Billy" (Tim Daly):
|Billy (w/ Eddie)|
Billy is the guy who successfully left town and made it in the big world. He came back for Eddie's wedding. He's the one with the most marbles in the game, but even he has a problem. It seems he's got a girl pregnant. Chivalrous or not, he wants to do the right thing and marry her, but she is reluctant. She's an independent woman, at a time when that was like being a leper.
Timothy Fenwick "Fen" (Kevin Bacon):
Modell (Paul Reiser):
|Fen and Modell|
Fen is the most immature of the bunch. He has no sense of rational behavior. Probably somewhat due to his being a bit on the rich side. At least, he has a trust fund that his brother governs and doles out money to him every month. Which made it easy just to drop out of college and be a ne'er-do-well for a living. But Fen is probably the genius of the bunch, too. Witness the scene where Fen watches an episode of College Bowl. (If you don't know what that was, it was a quiz program in which two college teams competed to answer trivia questions. Sort of like Jeopardy!, but College Bowl questions make Jeopardy! look like Trivial Pursuit.)
Modell doesn't make a big splash in the film, although he is a driving presence. A joker and also a mooch, he represents a side of the gang that is not readily apparent. He gets the last laugh in the final scene, though.
The beautiful Ellen Barkin makes a couple of scenes stand out as Beth, Shrevie's wife. Michael Tucker plays a good turn as sort of a father figure/big brother to the screw-up Boogie. The fact is there is not a single uninteresting character in this movie. Even in crowd scenes you get some "real" people. It almost feels like we've just picked these guys out at random in a crowd and decided to follow them around for a few days.
This is, in my opinion, a hidden gem. I'm sure quite a few of you have never even heard of it. But trust me, if you're looking for a break from shoot-em-up westerns, or BEMs from another world, this is an excellent way to spend the evening. You will never be so intrigued by just dialogue, sans action ever again. Character before plot, and yes, to you ladies, there is a happy ending.
Time to fire up the old Plymouth. I'm heading to the diner for a burger and fries (but without the gravy, thank you.) Drive safely, folks.
Thursday, January 16, 2020
This is my entry in the Carole Lombard Blogathon hosted by Good Old Days of Classic Hollywood
Carole Lombard made her "talkie" debut in 1929. Starring with William Boyd and character actor Billy Bevan she was part of a group of people stranded in a snowstorm in an abandoned church.
High Voltage (1929):
Somewhere in the Sierras a group of four passengers and their bus driver are attempting to navigate the roads during a blizzard. On the bus are Hendrickson (Phillips Smalley) "the Banker", a young girl only credited as "The Kid" (Diane Ellis). Dan (Owen Moore) "The Detective" and his prisoner, Billie (Carol [minus the "e"] Lombard) "The Girl". The driver, Gus (Billy Bevan) "The Driver" claims that the snow is nothing and he will get the group to Chicago.
Of course, Gus is an blowhard who thinks nothing can stop him from performing his duties. (Neither rain nor snow...etc.) But the snow has a different idea. They get stranded and end up having to trek across the snow on foot. Fortunately there is a nearby church (although how they knew which way to go is mystery. Its not evident that it is that nearby.)
The five get shelter inside the church, but discover they are not alone. There is also a hobo, Bill (William Boyd). Bill has some small stash of food so the six won't starve to death, but Bill takes charge of sorts. At least as far as the rationing of supplies is concerned. As Bill states, they may be there for 10 days. It comes to light that Bill is on the run from the law himself, which causes some clashing between Bill and Dan.
Thus begins the rather odd stay in the church. While Billie is initially standoffish with Bill, a mutual friendship occurs which actually blossoms into love.
And at one point the two decide to make a break for it on he road leaving the others behind. But the sighting of a rescue plane causes them to turn back.
There are certain aspects of this film that are distracting. For one, there seems to be too many times when coherent dialogue is secondary to the actual need to have someone speaking. I attribute this to the nascent novelty of talking pictures. Every time Dan and Bill confront each other they have a conversation it basically deteriorates into a kid's playground confrontation, with all the menace implied: "Oh yeah?" "Yeah" For instance, early in the picture, when Dan determines that Bill may be not all on the up-and-up:
Dan: I'd not be surprised if I haven't seen YOU some place before.
Bill: Well, maybe you have. Who can tell.
Dan: Maybe one of these days I'll be taking YOU on to the pen.
Bill: Maybe you will.
Dan: Maybe I will.
Truth be told, this little item is not much to really hold interest, unless you are a history buff who wants to see Boyd or Lombard in early talkie roles. Billy Bevan is more of a treat than the two stars, if you ask me. But far be it from me to turn you away from a potential hour of entertainment. Just don't expect too much "voltage". The love between Bill and Billie that develops is pretty tame. And the confrontations aren't very exciting either.
A sad note: This movie was the penultimate appearance of Diane Ellis ("The Kid"). She married her husband in October of 1930 and died on their honeymoon two months later in India.
Friday, January 10, 2020
The Beyond Star Trek Blogathon, a blogathon inspired by the efforts of various actors and actresses to break free from the tractor beam of the Star Trek Universe begins today. Our illustrious bloggers have been tasked with covering some film or TV work done by people who have made a name for themselves in the Star Trek Universe, but decided not to limit themselves to that role. Each of the actors and actresses following played significant roles in a Star Trek series or movie, but shined in other efforts as well.
Keep coming back over the weekend as these will be updated on a regular basis as new entries come in. You can also check out my co-host's website, Hamlette's Soliloquy. Thanks Rachel for joining me on this treasure hunt.
My first entry, Zombies of the Stratosphere, features Leonard Nimoy in an earlier alien role.
Hamlette's Soliloquy presents William Shatner in an episode of The Big Valley.
Caftan Woman looks at a few westerns featuring Deforest Kelly, Zane Grey Theater.
Angelman's Place gives us a creepy Leonard Nimoy in Invasion of the Body Snatchers
Wide Screen World gets a little kinky with Eating Raoul (with Robert Beltran)
I Am Charles Baker Harris fondly remembers LeVar Burton and Reading Rainbow
Along the Brandywine delves into William Shatner's role in Little Women
Movies Meet Their Match gives us yet another Shatner performance in Miss Congeniality
Coffee, Classics & Craziness discusses Leonard Nimoy on the TV show Mission: Impossible
Taking Up Room examines Patrick Stewart's turn as Xavier in X-Men
Diary of a Movie Maniac investigates Gene Roddenberry's film Pretty Maids All in a Row
More to come
Thursday, January 9, 2020
This is my first entry in the Beyond Star Trek blogathon hosted by Hamlette's Soliloquy and Me
So is it kismet that one of Leonard Nimoy's first appearances on the screen was as an alien? No, not as Spock. 15 years before that iconic role Nimoy played a Martian (zombie) in the 12 part serial Zombies of the Stratosphere.
Nimoy had a rocky start to his career before Star Trek. He got the title role in Kid Monk Baroni, but that film failed at the box office, so Nimoy made a decision to just take whatever he could get, which usually resulted in his being an "also-ran" in the credits. Of course, when Star Trek went into production he was in the title credits, albeit behind William Shatner, but before that you would have been hard pressed to notice his name in the credits.
In particular with Zombies, Nimoy's name only appears third in the list of the secondary characters, behind the 5 primary stars that appear in the first on screen credits. And Nimoy (as Narab) is basically just a gofer in the film. For most of the 12 part serial his sole line is usually just "Yes, sir" to the orders of Marex, the leader of the Martian entourage. But even with that secondary status you can't miss Nimoy's face, and voice.
"Zombies" by the way, is a misnomer. There are no real zombies, not ones you would think of anyway. Even the 50's version of zombies. In fact, you never even hear the Martians referred to as "zombies" until the final reel. But then, as we will see, the Martians are a sci-fi substitute for a much closer "alien" force which many in the West probably considered "zombies" in the 50's.
Zombies of the Stratosphere (1952):
As a group of government agents (Inter-Planetary Patrol) watch, an alien spaceship enters Earth's atmosphere.
Since they don't have any idea of it's intentions Larry Martin ( Judd Holdren) is dispatched to check it out. Why Larry? Because he has a spacesuit with rockets attached to his back. (Note: Although he is never called Commander Cody in this film, the outfit is almost an exact replica of the one used by that character in other films. In fact, this was supposed to be a sequel to Radar Men from the Moon, but apparently some snafu involving a projected TV series starring Commander Cody caused the people in charge to have to change the name).
Before Larry can get to the ship though, Marex (Lane Bradford) and his assistant Narab (Leonard Nimoy) have unloaded some supplies and take off with a couple of nefarious goons who met them at the landing site. Marex and Narab go to a local (mad) scientist's lab/house where Dr.Harding (Stanley Waxman) is the go-to contact.
The Martians have a plan. You see, the climate on Mars is pretty shabby. So the Martians want to build an H-bomb which, when strategically planted, will blow the Earth out of it's orbit, thus allowing Mars to take its place in the Earth's orbit. (And if you have trouble with the logic of that, you are probably in the wrong theater...) They want Dr. Harding to help them in their construction of the H-bomb.
So why do they think Harding will be a willing participant? Well, Harding has been selling state secrets to a competing power (Russia?) and the Martians threaten to reveal his shenanigans if he doesn't cooperate. (See, even on Mars they understand the concept of "blackmail"...)
The Martians and their Earthling cohorts proceed to try various attempts at hijacking shipments of uranium. One gets the idea that uranium wasn't all that much of a high priority item as these shipments didn't have hordes of armed forces personnel assigned to guard them. (But then if they did, Larry Martin and his jet suit would have been pretty much an after thought, if not an unwanted presence. )
Over the course of the 12 part serial we get the typical "cliffhanger", scenes where Larry or one of his associates is trapped and apparently rides off to their death, only to have the next episode reveal some incredible luck to have them survive to fight anther day.
The only real question throughout the entire serial is why only two guys and one girl are involved in the desperate struggle to keep the Martians from fulfilling their nefarious plans. Are we dependent only on one guy in a jet pack and a few pistols to save the Earth? (And there is another question. If the Martians are so advanced, why don't they have ray guns? Even the Martians resort to primitive pistols. And none of them are good shots.... I think only one person in the entire serial takes a bullet, but there must have been close to a hundred fired over the course of the serial.)
Probably the funniest part of the serial (though it probably wasn't INTENDED to be funny) is the appearance of a robot. The robot has some laser powered arms, but on several occasions it just fights with its fists like the rest of the cast.
Although the villain in the film are Martians, this film could have easily subsituted Russians for the Martians and not suffered too much. To be sure, the plot to switch the orbit of Mars with Earth might have had to be altered somewhat, but then again, the underlying plot was not much more ridiculous than some of the plots to any James Bond film. So maybe SMERSH (a frequent James Bond nemesis) could have planned it and was going to colonize Mars with its "New Order".
One must take into consideration when watching this or virtually any other serial that the potential audience for them was mostly kids. You didn't really need a coherent plot, just losts of fist fights and gun play and an eventual triumph by the heroes.
Personally I'm an advocate for the return of the serial. I think it would be an improvement on the theater experience.
Well, folks time to fire up the jet packs. Drive safely, folks.