Saturday, December 7, 2019

Hamlette's Merry Christmas Tag

A movie tag created by my friend Rachel (Hamlette).  I'm just doing the movie part.  I won't tag anyone, too much risk of offsetting people.  But you are welcome to follow suit if you feel inclined.  You can check out her original post here.





1.  A Partridge in a Pear Tree - movies that involve agriculture.

Field of Dreams (1989):

First off the bat (no pun intended).  Nothing in the rules said I actually have to LIKE the movie I pick (which you will see my opinion if you read the link).  Although mostly about baseball, Costner's character is a farmer.




2.  Turtledoves - movies about a long-lasting relationship:

Longtime Companion (1989):

This is a beautiful story about the long term relationship between several gay couples during the onset and aftermath of the early years of AIDS.  I chose to use it here rather than in a ater category (#5).  It has some heartfelt and tender depictions that some straights overlook when thinking about the gay community.




3.  French Hens - movies that take place in France.

The Longest Day (1962):

A movie with too many stars and cameos to mention.  OK, just one... JOHN WAYNE.




4. Calling Birds - movies where people talk on the phone.

Bill and Ted Films (1989 & 1991):

OK, I'm stetching a point here.  There are a few scenes where people talk on the phone, but I couldn't resist using these movies because the time machine is a phone booth.




5. Golden Rings:  movies with multiple romances.

The Princess Bride (1987):

You've got Westley and Buttercup.  You've got the grandfather and the grandson.  You've got Inigo and Count Rugen (didn't say they had to be "loving" romances...)  And then you got the romance of Prince Humperdinck with himself.




6. Geese a-Laying - movies with a birth or that feature babies.

Alien (1979):

That scene where the alien pops out of the guys chest is a birth if I ever saw one...


I spared you the scene of the actual birth... you can thank me later.


7.  Swans a-Swimming - movies where someone goes swimming.

Forbidden Planet (1956):

Anne Francis goes skinny-dipping.  OK, not really.  She's wearing a body suit which you can see if you go through the scene in slo-mo.  (Of course I did...)




8. Maids a-Milking - movies featuring cows.

Urban Cowboy (1980):

OK, I took some liberties here.  There are some cows in the rodeo scene, but I picked this for the fact that Debra Winger is on a mechanical bull... and she makes that bull look GOOD.




9. Ladies Dancing -movies with a dance scene.

Xanadu (1980):

No matter what you think of the movie, there are some pretty good dance scenes in it.



10. Lords a-Leaping -movies about athletes.

Eight Men Out (1988):

There was really only one choice here.  My favorite sports movie (despite the fact that the events depicted are less than inspring...)




11. Pipers Piping - movies with someone playing a musical instrument.

Howard the Duck (1986):

Howard comes to Earth and the best job he can get is playing guitar with an all-girl rock band?  But he does wail on that Stratocaster...




12. Drummers Drumming -movies with a character in the military.

Patton (1970):

I've covered so many movies about war and the military it was tough to pick just one.  But then, George C. Scott is one of my top 5 favorite actors.






So what do you think of my choices?  Feel free to dispte.

Quiggy






Thursday, December 5, 2019

Christmas in Space





This is my entry in the Happy Holidays blogathon hosted by Pure Entertainment Preservation Society




You have no idea to what lengths I will go to subject myself to the most arcane and outre stuff imaginable, just to entertain you.  OK, I admit, most of the time I enjoy it.  But like they used to say in the old Army enlistment commercials, "It's not just a job; it's an adventure".

Case in point is today's entry.  In 1978, with a true sequel to the original Star Wars film still a couple of years away, George Lucas red-lighted a TV special, mostly to keep the film still relevant.  (although in retrospect there wasn't all that much need.  It was and still is one of the highest watched movie franchises in Hollywood history, but this was still early on in it's history).

On Nov 17, 1978, the public at large was subjected to The Star Wars Holiday Special.  The special was a (sort-of) Christmas TV special, even though Christmas was replaced by the fictional Life Day, an event celebrated each year on Chewbacca's home planet. It was aired on CBS in a time slot normally occupied by Lynda Carter's Wonder Woman and the Bill Bixby/Lou Ferrigno show, The Incredible Hulk.

It had some interesting features.  For one it introduced the character of Boba Fett, a later character in the pantheon of films.  And James Earl Jones finally got credit for voicing Darth Vader for the first time.  But it was also a complete disaster.  In more ways than one.

It was so badly received that most of the people involved in it refuse to this day to acknowledge their part in it.   Many fans disown it, too.  There are probably a number of people out there who may have every movie, toy, book and other assorted tie-ins to the Star Wars franchise, but you can be sure this is not part of their collection, unless they have a bootleg copy that was recorded directly off the TV broadcast.  Lucas himself has distanced himself from it and it has never been released on VHS or DVD by Lucas Films.  (Despite the fact that, if you check Amazon, it lists it, albeit as  a "currently unavailable" listing...)

Being a fan of the first film when it came out, and a sci-fi fan in general at the time, I can't honestly remember if I watched it when it was broadcast.  I do know that years later when I heard about it, I was like, "What?  Really?"  But after having watched it a few years ago, I think I could easily have  watched it and then proceeded to convince myself that I hadn't.

If you haven't seen it, you are lucky.  And if you don't click on the link below, you can still count yourself lucky. Don't say I didn't warn you...





You clicked on the link, didn't you...?  :-D  Well, I warned you, so don't blame me.








The Star Wars Holiday Special (first aired Nov. 17, 1978):

The scene opens with Han and Chebacca trying to escape Empire forces and get Chewie home to celebrate the Wookie holiday of "Life Day".

One of the most astounding faux pas of the show is when the scene shifts back to Chewbacca's home planet,  Kashyyyk,  early in the show, where Chewie's wife Malla, son Lumpy and father-in-law Itchy await his return.  (By the way, in classic retro changing of things to accommodate the more serious feel of the franchise, those ridiculous names were later revealed to have been nicknames.  Lumpy's given name is Lumpawarrump.  Itchy's given name is Attichituk.  And Malla is really Mallatobuk.)





The astounding screwball part is that all of the family on Kashyyyk speak in Wookie.  Without the benefit of any subtitles.  Which leaves the confused viewer scrambling, to try to figure out for his or herself what the hell is actually going on.  Fortunately for us, when any human or human-like characters come on the screen they speak English so we aren't completely lost throughout the film...  But it takes about 9 minutes of this almost slapstick type interaction before we get anybody who speaks something we can understand.  (But we are still stuck with the grunts from the Wookies.)

The first English speaking character turns out to be Luke (Mark Hamill) who, along with R2D2, put in a call to the family to wish them a happy Life Day.  Luke expresses concern for Chewie's absence but tries to encourage Malla that all will be OK.




A bit later Saun (played by Art Carney), a junk dealer calls and tells Malla he is going to be delivering some items to them later.





What these turn out to be are Life Day presents for the family. Malla gets a shaggy carpet weaved by "a little old lady who knitted by hand...solo."  (Groan!)   Lumpy gets a box of stuff which later turns out to help in getting rid of some unwanted Imperial guests.  And Itchy gets a holographic disk, which turns out to be some kind of pseudo-pornographic thing.  (At least that was what it came off looking like to me.  No nudity, however...it was a TV show remember, and a 70's TV show at that...)  This includes a hologram of a woman (played by Diahann Carroll), who serenades Itchy with a song.





Harvey Korman makes several appearances here.  One is as a woman cooking instructor teaching Malla how to make Bantha Surprise (with multiple arms yet.)  Another time he plays a rather inept robot instructor trying to show Lumpy how to create his own robot.  He later shows up as an infatuated lovelorn devotee of Ackmena (played by Bea Arthur), a female bar owner.  Arthur also sings a song, while the alien cantina band (Figrin D'an and the Modal Nodes.  Bet you didn't know that band had a name, did you...?) from the movie plays in the background.





This being ostensibly a variety show we also get another song, this one done by a holgraphic band, played by the real band Jefferson Starship (and there's an example of kismet if I ever heard one).  For some reason, during the opening credits, the announcer refers to them as THE Jefferson Starship. 




There is also an animated piece featuring Luke and Han and Chewie and the introduction of the bounty hunter Boba Fett.



And to top off the musical part of this extravaganza Leia (Carrie Fisher) sings a Life Day song (done to the tune of the Star Wars theme, yet.)



All in all, its not entirely bad, but it is cheesy without a doubt.  If you are a full blown Star Wars geek, you may think it almost borders on sacrilege.  All it's missing is a tap dance ensemble with the Wookies in top hats and tails.

Well folks, time to fire up the afterburners and warp speed back to my own planet.  Drive safely, folks.

Quiggy








Sunday, December 1, 2019

Zen and the Art of Bowling






This is my entry in the Jeff Bridges Blogathon hosted by Thoughts All Sorts.




Way back in, like, 1996, man, the writing/directing duo of brothers Joel and Ethan Coen were riding high on the accolades of their recent production, Fargo.  The film had just given the brothers their highest exposure yet, and was nominated for a slew of Oscars.  It only won two, however, one of them for Best Adapted Screenplay.  (It suffered from being pitted against The English Patient, which won most of the awards with which it was in competition.)

So these dudes decided their next project was going to be a spin on the classic genre of film noir.  Go figure.  I mean, there hadn't been a decent take on film noir since, like, back in the early seventies with Chinatown.  But these brothers were pretty sure they had something going with this idea.

As per their usual, they hashed out a script, sometimes even with a specific actor or actress in mind, writing the script to fit a certain personality in their prospective portrayers.  So you gotta understand, man, like, characters are really what the Coens saw in specific actors and wrote to their abilities.

When the movie came out, it wasn't much of a success.  Certainly not the equivalent of what either the Coens or their critics or their public expected as a follow-up to Fargo.  It barely even made a profit (just $3 million over it's budget in its initial U.S. run).

But unlike most movies that don't make much of an impact at the theaters, this one took on a life of its own after the fact.  It had a cult following you wouldn't believe.  I mean, sure, man, you can see the profound effect that a Star Trek had on the geek culture, with Trekkie conventions out the wazoo.  But you missed out on the stoner culture in that category.

Not that stoners make up a good cult following enough to warrant a convention.  Otherwise we might have been inundated with Cheech and Chong conventions over the past 40 years.  But The Big Lebowski took on something that apparently those two stoners from Up in Smoke didn't have.  It is imminently quotable.

Which is how the first Lebowski-Fest got started.  Two guys who worked conventions with their own booth found out they both could spout Lebowski-isms ad infinitum, and really got going with it when they found a slew of like-minded individuals.  The first Lebowski-Fest got started, and has been going fairly strong in its own right ever since.

I came into the Lebowski universe relatively late.  I watched it for the first time one evening with my recovery sponsor, who was a big fan, in 2010.  He must've seen I was a potential for being a devotee.  (And earlier this year I got a chance to see it on a big screen when Flashback Cinema, had it for it's weekly entry.)  The movie is oddball enough to appeal to my quirky sensibilities.  And like a previous entry on this blog, The Big Sleep, it has a plot that jumps around so much you need a GPS navigator to keep up.

So, like, are you ready, man?  Let's go bowling.




The Big Lebowski (1998):

Way back in 1991, during the (first) crisis with Saddam and the Iraqis, there is this guy, called The Dude (Jeff Bridges),  His given name is Jeffrey Lebowski, but nobody calls him the that.  He is just known as "The Dude". (or " His Dudeness" or "Duder" or even "El Duderino" if you're not into that whole brevity thing...)  The Dude approaches life with a nonchalance that would be the envy of any Buddhist trying to achieve Zen.  


The Zen Master  aka "The Dude"



The Dude's troubles start when he is mistaken for another Jeffrey Lebowski, a rich cuss who has a trophy wife who has a penchant for leaving gambling debts all over town.  When two hoodlum collecting agents show up to try to collect the money the rich Lebowski owes, mistaking The Dude for him,  they wreck havoc all over The Dude's apartment, with a final injustice being one of them takes a leak on The Dude's rug.  Which is a shame, because that rug really tied the room together.


Hoodlum collectors



At the bowling league, The Dude's partners, Walter (John Goodman) and Donny (Steve Buscemi) convince The Dude he needs to approach the guilty rich Lebowski and try to get justice (or at least a replacement rug.)


The Dude, Donny and Walter



Which he does.  But the encounter doesn't go well.  The "Big" Lebowski (David Huddleston) kicks him out, but not before calling The Dude some rather select names, impugning The Dude's dedication to being a productive member of society.  But The Dude leaves with a rug anyway, telling Lebowski's assistant, Brandt (Philip Seymour Hoffman) that Lebowski had given him permission.


The "Big" Lebowski

Brandt



Flash forward a couple of days.  Brandt contacts The Dude with a problem.  It seems that Lebowski's trophy wife, Bunny (Tara Reid) has been kidnapped.


Bunny


The kidnappers are demanding a million dollars in ransom.  Lebowski wants The Dude to be the courier.  But when The Dude talks with Walter and Donny about it, Walter comes to the conclusion that the kidnapping is a ruse, that Bunny is just trying to extort more money.  So Walter hatches a plan in which they will pass off a gym bag with his undies as the drop and keep the money.  Which is a success, somewhat...

It gets even more complicated.  While the guys are rolling a few lanes at the bowling alley someone steals The Dude's car, with the briefcase of money still inside.  And the supposed kidnappers come by demanding the real money.  Plus Maude (Julianne Moore), Lebowski's daughter, and, as it turns out, the real financial genius of the family, tries to get The Dude to recover the stolen money from he kidnappers, claiming that the whole thing is a ruse, set up by her father to get money for himself.


Maude Lebowski


Except, of course, if you were paying attention, the money was not dropped off, and The Dude doesn't have it either.  It turns out that a hoodlum wanna-be, a high school student, hijacked The Dude's car and took it for a joy ride.  When the car is found, the briefcase is gone, so quite naturally the guys come to the conclusion the kid has the dough.  And proceed to try to intimidate him into returning the money. 


The kid


It gets even more complicated (as if it wasn't already by now).   No one seems to know where the money is, since the kid didn't have it.  And a band of nihilists who are the supposed kidnappers wreak even more havoc on The Dude's apartment in an attempt to get the money.

So who's actually got the bag of dough.  You may be surprised.  Word of warning, as with any film noir, don't trust anyone.

What with Goodman and Buscemi as co-stars, it couldn't get much better.  But oh, it does.  Check out John Turturro as fellow bowler, Jesus, with a penchant for his balls.  And Ben Gazzarra as Jackie Treehorn,  a porn king.  And Jon Polito, a consummate character actor as a private detective trying to horn in on what he thinks is a fellow private detective, The Dude.  And to top it off there's Sam Elliott as our humble guide/narrator into the world of the Zen Master, The Dude.


Don't mess with The Jesus

Jackie Treehorn and his hoods

Another detective

"The Stranger"



So take a couple of hours out of your day, sit back with your favorite beverage and check out how The Dude approaches the slings and arrows of outrageous fortune (or a bag of dirty undies).  And if you don't agree with me that this movie rocks, well, that's just, like, your opinion, man...

Screw it, dude.  Time to go bowling.  Drive safely, folks.

Quiggy

Thursday, November 21, 2019

The Big Confusion






This is my entry in the Lauren Bacall Blogathon hosted by In the Good Old Days of Hollywood.




The Big Sleep, based on the novel by Raymond Chandler, is an important entry in the canon of film noir, not the least of which is it enhanced the mystique of the relationship on screen between its two stars, Humphrey Bogart and Lauren Bacall.  It is in the top 5 of most lists of the greatest film noir movies.

It also has one of the most convoluted plots in movie history.  You almost need a copy of Cliff Notes on the film on hand to keep up with who is killing who and who is doing other dastardly things.

And reading the novel on which it was based is not much help.  Even Chandler himself didn't know certain intricate mysteries in the novel.  When asked who killed the chauffeur, or if he had committed  suicide, Chandler responded with a basic "damned if I know."

But most people can ignore the twists and turns and just watch the dynamic chemistry of Bacall and Bogart.  And if you really want to know what happens, I guess you could just read the wikipedia article on the film.  Maybe it will clear up your questions.  And maybe not.

That's not to say that The Big Sleep isn't a fantastic movie.  It is.

There were some things that had to be removed (or at least subdued) when the film was made.  For one thing, the novel has Carmen Sternwood involved in a pornography scandal.  In fact, when Marlowe first discovers her in Geiger's house, she was completely nude.  Can't get away with that in the Hays Code era... so she is in a Chinese dress.  Also there is a hinted homosexual relationship that was completely omitted.  (You have to understand that writers could get away with being more prurient, but the Hays Code held an iron fist over what could be translated to the screen.)

One thing of important note.  The film was made in 1945, but with the impending end of WWII, the studio withheld the movie until 1946 so it could release war related movies already made to cash in on the war oriented crowd.  AS a result, even though the movie is supposedly taking place in 1946, there are still some war related "anachronisms", like the B sticker on Marlowe's car, signifying that he was significant enough to the war effort to be allowed to buy more gasoline than the average Joe.  And the fact that a woman is driving the cab, a job that would have been reclaimed by a man when soldiers returned.




The Big Sleep (1946):

Philip Marlowe (Humphrey Bogart) appears on the doorstep of the Sternwood house to an appointment with General Sternwood (Charles Waldron).  The general wants to hire Marlowe to clear up an attempt at blackmail.  It seems young Carmen (Martha Vickers), his daughter, has run up some gambling debts, but the General is suspicious.

Marlowe w/ Carmen
Marlowe w/ The General














The General's other daughter, Vivian (Lauren Bacall) attempts to extract from Marlowe what his duties are in the case but Marlowe refuses to divulge.  Which annoys Vivian.


Marlowe w/ Vivian




When Marlowe appears at the door of A. G. Geiger's bookstore (the holder of the supposed gambling debts), he has an encounter with Agnes (Sonia Darrin) and pretty much exposes the bookstore as a front for something else, by asking for two "rare" books which in reality don't exist.


Marlowe w/ Agnes


Following Geiger as he leaves the store, he finds himself at a rundown house where Carmen appears.  Some minutes after Carmen goes in to Geiger's house there is a shot and Marlowe rushes in to find Geiger dead and Carmen stoned out of her skull.  He takes Carmen home, but when he returns to Geiger's house the body is gone.

Thus begins the convoluted plot.  Bernie Ohls (Regis Toomey), a contact and friend of Marlowe's on the police force, appears on Marlowe's doorstep to inform him that they found the Sternwood chauffeur's body in the Sternwood car in the water off a pier.  

Marlowe continues his investigation finding out that small time gangster Joe Brody (Louis Jean Heydt) has a connection.  Carmen has insisted that it was Brody who shot Geiger.  But Joe insists he is innocent.  He just has a plan to blackmail the Sternwood's with some inappropriate photos he found in the Geiger house.  (The only hint that there is a pornography connection).


Marlowe w/ Brody


After Brody is shot by Carol Lundgren, Geiger's bodyguard, who thinks it was Brody who killed his boss, Vivian tries to pay off Marlowe, insisting that his job for the Sternwood's is finished.  But there are too many details that aren't clear and Marlowe suspects that Vivian is being pressured by big-time gangster Eddie Mars (John Ridgely) to lay off the case.


Marlow w/ Mars



If that isn't a twisted enough plot for you, let me tell you, you ain't seen nuthin' yet folks.

What with Mars putting even more pressure on Marlowe to lay off, and with the obviously nymphomaniac Carmen trying to put the moves on him, there's more to this film than meets the eye.  We even get the generally good guy Western actor Bob Steele as a very sinister gunman who is trying to get Marlowe off the case permanently.  You may just need an aspirin by the end to stop your head from spinning.

Well, time to fire up the old Plymouth.  Drive home safely, folks.

Quiggy