Monday, June 22, 2020

Wise Guy: Book Review of Robert Wise: The Motion Pictures by J. R. Jordan






It's astonishing that I have seen so many of Robert Wise's movies that I like and yet never really added him to my list of favorite directors.  Maybe it's just the fact that he stayed under the radar over the years.  A workman-like attitude towards his craft without actually having to be the face of his movies (unlike some I could name). Some of those movies I wasn't even aware that his name was lisyed as director.







Robert Wise: The Motion Pictures by J. R. Jordan:

The format of the book is well laid out.  It takes a look at each of the movies that Wise directed in chronological order.  One of the things I like about this book is that it is not a biography as such, which I probably would have found tedious.  Although it does include a few tidbits about his life, the author keeps that at a minimum.

The depth of the research behind the movies was really impressive.  The film analysis portion of each chapter gives one a better viewpoint into the content of the movie.  And it opened my mind up to movies that I'd either heard about or knew of remotely but hadn't seen.  It was a discovery that Wise had directed them.  Being a big fan of film noir I discovered several movies that fit the film noir mold that I should check out.

Of course, Wise is also an Academy Award winner, albeit two of those Oscars are for movies that I would be hard pressed to watch (much less review) since they are musicals  (The Sound of Music and West Side Story).  But given his talents, it was a phenomenal career and the author doesn't stint on the info.

One thing that bothered me about the book was that sometimes I got lost when reading the encapsulations of the films.  It seemed to me that the author talked as if his readers had seen every movie, kind of like as if we had watched it together and were discussing it after the fact.  I was OK when it was a movie I had seen, but in some cases, if I hadn't seen the movie, I got lost with what was happening. 


Overall, if you are a fan of these films, you will be sure to learn some new things.  The author is engaging without being overly gushing about the man himself.  And I liked that.

I am going to review a few of the movies that Wise directed over the next couple of months as a result of reading this book.  (It has been WAY too long for a scheduled comparison of Wise's classic The Day the Earth Stood Still with the less than stellar remake from a few years back... I get way too bogged down with life and blogathons, it seems.)

Quiggy



Saturday, June 13, 2020

Standing Tall in the Face of Disaster





This is my entry in the Disaster Blogathon hosted by Dubsism and Me



Stephen King has been off and on one of my favorite authors.  (I published a blog piece last year on how he influenced me, which you can read here.)  One of my favorite novels of his is The Stand, which was published way back in 1978.  In the summer of 1984 I had a job as a security guard in a manufacturing plant.  Since my main duties were to watch out for the computer room (this being back in the days when computers took up whole rooms and probably had less processing power than your current smart phone, but were extremely valuable), I had a lot of free time.  One of the books I read that summer was the original publication of The Stand.

In 1990, twelve years after the publication of the original, King brought out the "Complete and Uncut" edition of the book, in which he included much of the stuff that his publishers had forced him to leave out.  (Apparently, according to his preface, the publishers balked at releasing a 1200 page manuscript by a relatively new author and forced him to reduce it to a more manageable 800 page book, still a big book for a fledgling author, but compare that to the average book King puts out today.)

Was King a psychic?  The current spread of the Coronavirus is not near as devastating a disaster as the one described in the book, but one can't help but think of the current situation in the world today if one reads the book's first part (or watches part one of this miniseries).  Note: I would be less than honest if I did not tell you that King himself has recently tried to distance himself from comparisons of the "Super Flu" or "Captain Trips" described in The Stand from the current virus.  But when this blogathon idea first came to my attention back in November, it was the first film I thought of, and now it seems almost prescient that I chose it.

The book and film are both, by necessity, America-centric.  King himself, in the novel, never really delved into what happened in the rest of the world after he outbreak of the "Super-Flu".  Maybe the same thing happens in Russia and China and the rest of the world in some fashion. To be sure it's hard to imagine that some people didn't take the Super-flu with them outside of the continental United States.  That is the only flaw I see in the story however. 





The Stand (1994):

The whole thing starts with a mistake.  OK, so its not really all that much of a mistake.  The US military and the government have been working to create a lethal virus, ostensibly to be used in warfare.  But it is a series of mistakes and mishaps that gets it out into the open.  A mishap inside the military compound releases the virus and a security guard at the gate is told to shut down the complex.  But instead he panics and goes back to his home and gathers up his wfe and baby and hightails it before the override security can shut the gates.

Thus the beginning starts not with a bang but a whimper.   The next time we see the guard is when he crashes his car into a gas station in a podunk town in Texas, where Stu Redman (Gary Sinise) and some assorted friends hang out.  The guard's wife and baby are already dead from the virus and the guard himself is not long for this world.  But he has been spreading the virus everywhere, including Hap's Gas Station where Stu and friends are hanging out.  Eventually Stu and the entire town are packed up and taken to a government facility, not necessarily with their consent.





Not long afterward the virus is everywhere.  In Manhattan, Larry Underwood (Adam Storke) arrives to visit his mother.  He recently left home to become a singer in Los Angeles, but he has overspent his advancement and has gone home to escape  his creditors.  And in rural Maine Frannie Goldsmith (Molly Ringwald)is helping her father who has come down with the disease.  Eventually only she and her nebbish admirer Harold Lauder (Corin Nemec) are survivors in the town.  Into this cast of characters is also cast Nick Andros (Rob Lowe), a deaf mute who is stuck in rural Arkansas after being attacked by a gang of hoodlums.

On the other side, there is a malcontent named Lloyd Henreid (Miguel Ferrer) who has been jailed after a foiled holdup in which his partner killed the store owner.  Lloyd's partner is killed, but Lloyd ends up in prison as an accessory.  There is also a character known only as Trashcan Man (Matt Frewer), an arsonist who likes setting fires to things.

With 98% of the population dead from the virus, the survivors are called by superior powers (God and the Devil, or what have you).  The good guys feel themselves being called to rural Nebraska where an elderly black lady, Abigail Freemantle (Ruby Dee) is the instrument of good calling them to her.





On the opposite side is Randall Flagg (Jamey Sheridan) (who may or may not be the embodiment of the Biblical Antichrist, calling the not so good guys to Sin City, Las Vegas.





The second part of the movie involves the gathering of these assorted characters.  Nick meets up with a good but retarded man named Tom Cullen (Bill Fagerbakke).  Frannie and Harold eventuall hook up with Stu and an older man Stu encountered, Glen Bateman (Ray Walston).  All are being haunted by dreams of both Abigail who is calling to them and Randall who scares the shit out of them.

Eventually the good guys end up having to move to classier digs, since after all there's not much room for them all at Abigail's home/farm, and they pack up to move to Denver, where the rest of whats left of the good guys end up meeting them.

While both sides try to recreate society in their own way, the good guys eventually have to come to the conclusion that the Las Vegas contingent isn't going to sit on their haunches and expect a mutual piece.  What happens next constitutes the second two parts of the movie. Even though the good guys would like to coexist with the bad guys and have it be let each other alone, they know the truth that Flagg and Co. are not going to let it be such a mutual co-existence.

There are some traitors among the good guys, as to be expected.  And eventually the Denver group decides to send spies to see what's going on.  But Flagg is a bit more cognizant of their intentions than they would like to believe.

The movie as made takes a few liberties with the text.  After all, even at a 6 hour running time (it was made into a 4 part serial), some stuff had to be condensed to make it manageable.  And it should be noted that there is not much from the "unexpurgated" version that made it to the film; it's primary source is the original 800 page version.  The good thing is Stephen King had a hand in writing the script, so it stays pretty true to the book (unlike some other films I could name... Lawnmower Man anyone...?)

The cast includes a lot of familiar faces.  Even the author gets a brief cameo.




Watching The Stand may be hard on anyone who has lost friends or loved ones during the current situation.  At least the first act.  But the story is rather intriguing.  And it may or may not encourage conspiracy theorists on their views of the government,  (Again, especially in the first act).  One thing.  I rarely cry when watching movies, but if you watch it I will tell you that the scene in which Kathy Bates makes a cameo caused me to well up immensely.And not necessarily because she dies.  It's more of the circumstances surrounding her death.  You have to watch the scene to relate.  It has to do with my being such a strong advocate of free speech.

Time to head home, folks.  Drive safely.

Quiggy





Friday, June 12, 2020

Masters of Disaster: The Disaster Blogathon Arrives








The world is coming to an end.  You just have time enough to stick your head between your legs and kiss your ass goodbye.

So the Disaster Blogathon will probably have you believe anyway.  We have all kinds of scenarios of imminent destruction; from plagues, to sinking boats, to planes in imminent danger of crashing.  We have alien invasions, to erupting volcanoes and even a giant octopus.

Keep coming back over the weekend to find out who is going to be still among the living after the spectacles befall us.  Also check out my co-host's website for a more current update until Sunday.  Dubsism  has more time to keep it current than me until Sunday... LOL



The Disaster Roll Call:





Moon in Gemini:  The Andromeda Strain




Realweegiemidget Reviews:  Airport





John V's Eclectic Avenue:  Miracle Mile





Angelman's Place:  Deep Impact





Caftan Woman:  The Hurricane





Charity's Place: Pompeii




Hamlette's Soliloquy:  The High and the Mighty





And You Call Yourself A Scientist: No Time at All





An Aging Broad with a Scrapbook: Deluge





The Spirochaete Trail: Hero









Sports Chump: Independence Day




Cinematic Catharsis: It Came From beneath the Sea





Taking Up Room: The Towering Inferno




Pure Entertainment Preservation Society:  Titanic (1953)




Phyllis Loves Classic Movies: The Poseidon Adventure





CrĂ­tica RetrĂ´: The Last Days of Pompeii






and another entry by






The Midnite Drive-in: The Stand




Movie Rob: The Swarm





Movie Rob: (again) Mars Attacks!




Movie Rob: (again)  The Wandering Earth






Silver Screenings: When Worlds Collide





The Stop Button: Ashfall





Horseback to Byzantium: Exit





Totally Filmi: Virus

I think we had 100% participation on this.  A new one for me.  Thanks to all entrants.  And thanks to Dubsism for letting me in on ground zero.

Quiggy


Sunday, June 7, 2020

Pink Problems





This is my entry in the Broadway Bound Blogathon












Bent (1999):

Bent starts out by giving us some insight into the life of Max (Clive Owen), a gay man living in Berlin at the time of the rise of Hitler and the Nazis to power in that country.  Max is a fairly promiscous man, even though he has a current lover, Rudy (Brian Webber II).  One night he brings home a man who is the the SA with the Nazi government, much to the dismay of Rudy.

Unfortunately for Max and Rudy this happens to have happened on the infamous "Night of the Long Knives", an event in which Hitler and members of his inner party sent out gangs of the SS, Hitler's inner military men to murder those deemed to be a threat to the consolidation of his power with the German government, and Max's man of the moment is one of those deemed to be on the list to be eliminated.  And the SS men have been following him.  The break into max and Rudy's apartment and murder him, sending Max and Rudy on the run.

The problem is that, among other undesirables within Nazi Germany at the time, gay men are on the list.  The two are in danger of being captured and sent to detention camps.  Max tries to deal with his uncle Freddie (Ian McKellan), who is also gay, but not quite as overt about his activities and still in a position within the government to help.  Uncle Freddie manages to procure papers to allow Max to leave the country, but Max insists that Freddie also get papers for Rudy.

With nowhere else to go, Max and Rudy hide out in a makeshift shed in the woods. Unfortunately Rudy has been talking to the wrong people and Max and Rudy are captured.  In an effort to save himself from persecution as a gay man, Max convinces the authorities instead that he is a Jew, thinking he won't be treated quite as badly.  (In retrospect, we as the audience know that eventually that decision could prove to be bad, but apparently, at least this early in the history of the Nazi regime, he might get better treatment).

While on the train, sadistic Nazi officers accost Rudy, because he is gay, and think that Max may be hiding his true nature.  When confronted however, Max denies that he even knows Rudy, and reluctantly helps beat him, after which Rudy dies and is thrown of the moving train.  Horst (Lothaire Bluteau) chides him for his cowardice, convinced that Max is gay despite hgis insistence that he is a Jew.

Later, in Dachau, Max is giving a demeaning assignment of moving rocks from one side of the compound to the other.  He uses bribes to get Horst assigned to help him, having actually fallen in love with him.  Although initially their relationship is a bit hostile (Horst doesn't actually want to do this stupid job, which is pointless; they move rocks from one side to the other, then repeat the process in reverse, a ploy designed to drive the prisoners mad).

A relationship and a love does develop between the two however, albeit not in a fashion that can be consummated.  At least not in the physical sense.  But they manage to have sex by conversation alone and the two end up finding true love and admiration for each other.

It's not going to end well, as you may well know.  But in the process Max does come to terms with his sexuality and the ending, although a bit depressing, does satisfy.

For more information on the treatment of gay men in Nazi Germany might I suggest a documentary Paragraph 175?  This movie sheds some new light on that very good documentary.  The movie was based on a Broadway play, and I think I would have liked to see it.  One of the things I miss by not being in New York is there is a wide variety of plays that end up making profound movies making me wish I had some access to them in their original form.

Drive home safely, folks

Quiggy