"Hey! I Know That Guy!" Episode #2

"Hey! I know that guy!"

 

Well, it's time for another installment of the ongoing series.  To refresh your memory, the plan is to discuss an episode of The Twilight Zone and highlight one of the actors or actresses appearing in the episode and talk about their career before and after their role in the episode.  Usually I will be taking a secondary character as my focus, not one of the stars.

For instance, in the first installment I went with James Gregory who appeared briefly at the end of the premiere episode of The Twilight Zone.  But as I stated in that post, there are at least two (that I can think of off the top of my head), that only have two characters, so in those episodes neither of the actors or actresses could be considered secondary.

And thus, this time I am going with what is one of my all-time favorite episodes of The Twilight Zone, "A Game of Pool". In this episode, a wanna be pool star is frustrated because, although he considers himself to be top notch, he is always being compared to a champion pool stud who is no longer living. The episode starred Jack Klugman as the would be star and Jonathan Winters (in a rare dramatic performance) as the former stud come back to life to play a one-on-one game with the wannabe.

In choosing which of the two stars to focus on, it would have been my natural tendency to go with Winters.  He was a great comic actor.  But then, Klugman had a good career on film, too.  I picked Klugman in the end  because, not only can I talk about a fairly extensive career, I also can review a long neglected film, Twelve Angry Men.

Jack Klugman's career spanned 60 years, beginning in 1950 as a bit player. But by the time of his first role on the Zone he already had a good resume, including one of the lead roles in a TV soap opera called The Greatest Gift  (1954-55). And, of course, after the stint on The Zone, everyone knows he went on to greater heights.  He is well remembered for playing Oscar Madison, foil to co-star Tony Randall's Felix Unger on the comedy The Odd Couple. (And by the way, he got his feet warm for that role by subbing for Walter Matthau in the stage production of the original play on Broadway.)

And when his term as Oscar ended, he also found dramatic success as the titular character of the mystery series Quincy, M.D.. Like the previous installment's Gregory,  Klugman  made his biggest impact on the small screen, but as we will see, he did have some rather memorable impact in the theater as well.

If you are a child of the 70's, you may also remember him appearing from time to time with his (then)  wife, Bret Somers on TV shows like Tattletales. And Bret also mentioned him from time to time during her stint as a regular on The Match Game. 

So on to the TV stint on The Twilight Zone. Klugman had 4 turns at starring on the show.  His first was as a downtrodden has been trumpet player who eventually finds a new lease on life in "A Passage for Trumpet". Besides his second role as the pool player in today's episode, he also appeared in two other episodes "Death Ship" and "In Praise of Pip". All four rank in the upper half of most full series episode rankings, and I'm happy to say, most people agree with me that "A Game of Pool" was his best.

In "A Game of Pool", Jesse Cardiff (Klugman) plays alone in a poolroom, showing off to everyone (and no one) how good he is.  But he laments that everyone else claims that he is not the equal of Fats Brown, a legend who has been dead for 15 years, Jesse wishes he could play Fats just one game and prove his mettle.  But making a wish in the Twilight Zone can bring about things you never expected.  Such as Fats Brown (Winters) appearing and answering the challenge.

Ultimately it comes down to Jesse playing for his life against Fats.  "You win; you live. You lose; you die." says Fats.  Which Jesse reluctantly accepts as the stakes seeing as to how he wants to win the prestige of being called the best so badly.  And when it comes down to the final ball, take it whichever way you want, Fats ends up losing (By choice or by misstep, you decide.  But I tend to think he flubbed on purpose.)  And Jesse ends up being the best.  But after he dies (sometime in the future, mind you, not right away) he finds that he has taken on the mantle that Fats vacated and has to show up whenever anyone wishes they could have played one game against the great Jesse Cardiff.

Klugman is the outstanding of the two here.  Not that there is anything to fault Winters by for his portrayal, but if an Emmy were going for one or the other I would have given it to Jack.  This is one of those episodes I end up watching about once every other month, just because I can get into it.  And not just because I wish I could play pool half as good as either of the two characters (although that does factor in to it). 

I'm given to understand both actors actually pulled off most of the shots in the episode. (The same seems to be true for the shots made by Newman and Gleason in The Hustler, and Laura (Mary Tyler Moore) did the stunt shot at the end of the "Hustling the Hustler" episode of The Dick Van Dyke Show. Yes, I do love me some pool.  I even watch pool tournaments on TV. )

 

 

Klugman had very few roles in which he was the star on the big screen.  But even as a co-star, he managed to hold his own.  In particular was his presence in the Henry Fonda led film 12 Angry Men. Klugman was just one of 11, and admittedly he didn't garner the attraction that Fonda or co-star Lee J. Cobb. But when his turn to come on screen arrived, you knew he was there.  

I read the screenplay for 12 Angry Men in high school.  It was years before I finally got to watch it on video.  (I may have seen it on network TV before then,  but I don't remember).  

Even longer years later I had the opportunity to serve on a jury myself.  Not a murder trial.  It was a simple case of possession with intent to sell illegal drugs.  And I remember we initially had a hung jury.  The jury room didn't turn out acrimonious as it did here, but we did have some discussions.  And I remember we had one hold out until the very end.  Also I remembered the scene from this movie where one juror admonished another juror for changing his vote just so they could go home. So the situation was on my mind at that time.

If you know anything about the film you know that the 12 men are jurors deciding the outcome of a murder trial. Initially the vote is 11-1 "guilty". with one hold out, that being Henry Fonda's character.  Gradually over the course of the film, however, Fonda , and eventually some others are able to instill some doubts about the "guilty" verdict they initially cast until it comes down to one adamant hold out.  Klugman (credited as Juror #5; none of them actually have names they are all identified by their numbers in the jury seating) is one of the early jurors to change his vote.  And he becomes an advocate for others who change their votes to the hostile holdouts.

!2 Angry Men is a great character study, even though a couple of them sometimes come across as a little caricaturistic. (I speak here mainly of the immigrant character (Juror #11), played by George Voskovec, who himself was an immigrant, so maybe it wasn't intentional. Klugman's presence in the jury room is sometimes sedate, but that is in fitting with the character. Juror #5 is a city slum kid like the defendant and has much more sympathy for him as a result.

AS a film, this is one well worth seeing.  Despite the studio reluctance to a film with no actual action or sets to enhance the story, the film managed to get recognition, It was nominated for Best Picture, Best Director and Best Screenplay (all of which it lost to Bridge on the River Kwai). I don't think it's too big a surprise there were no nominations for Best Actor or Best Supporting Actor for this film because, after all, how could you choose any one over the others as prominently lead actor?

For the best that Klugman had to offer, I would still go with watching him as Oscar Madison, but if you want to see his dramatic chops, you can't go wrong with !2 Angry Men.

 

Thanks for your time.

Quiggy

Be NIce...Until...

 

When the summer of 1989 rolled around I was a student at Southwest Texas State University (since renamed Texas State University).  I was heavily involved in an on-campus Christian group called The Great Commission.  At that time (I have no idea whether the program is still in effect), the on-campus group held an annual event every year in which those of us with the funds would pack up and move to Washington D.C. area for a leadership conference.  Essentially we got full time jobs during the day and attended leadership conferences at night.

I admit even today that I was not cut out to be a church leader.  Hell, I'm probably lucky to even be in God's good graces. If God is patient, (and people who are devout will tell you He is) then He has his work cut out for Him, in my case.

At any rate, I was in D,C. are when this movie came out.  By the time I actually had the opportunity to see it, it had already made it's run through theaters and was on it's last legs in the $1 theaters. (Yes folks, there was a time when you could actually go to see a movie for a $1.  But, to be fair, a regular price ticket was only about $6 ..)

I only vaguely remembered this film before watching again today.  I remembered, of course, Swayze as a top dog bouncer, and I remembered Kevin Tighe (formerly from one of my sister's favorite TV shows Emergency!) as the owner of a bar who entices Swayze's character to come work for him.  And that's about it.

Swayze was always a stud in my opinion, but he had some tendencies to playing less than he-man characters over the years.  Consider: He was a man's man in such films as Uncommon Valor,  Red Dawn, Steel Dawn, and to some extent The Outsiders.  But he was also in such less man-friendly films such as Dirty Dancing, Ghost and of course Too Wong Foo, Thanks for Everything, Julie Newmar. Don't get me wrong.  I actually liked some of those films, but being a gung-ho type movie buff, I gravitated to ones where he was kicking ass and taking names as opposed to ones where he making women swoon.

Which brings us to Roadhouse. This movie was directed by a guy credited as "Rowdy Herrington" , and if this movie is an indication that "Rowdy" nickname is not a misnomer.  I think the director was in the cutting room saying something like "O.K. we've been 5 minutes without a fight, it's time to stick another one in...".

Roadhouse (1989):

Dalton (Patrick Swayze) is the top dog bouncer at a bar in New York City. (Note I see credits for his first name being "James" but I can't recall it ever being mentioned in the movie.  Everybody call him "Dalton"). Dalton has such a reputation that all you have to say his name and everybody gives a low whistle and says "Dalton?" Man he's the best."

 

Into his world comes Frank Tilghman (Kevin Tighe). Frank is the owner of the Double Deuce, a bar in Missouri that he wants to invest money and time in to make a profitable venture.  The town is on the outskirts of Kansas City, according to the early dialogue, but the actual town is Jasper.

 

(OK, so something you need to know here is that the real town of Jasper, Missouri has nothing to do with the town in the movie.  For one thing the real Jasper is WAY too small to even support a bar of the size of the Double Deuce. But the real issue I have with the prospect of hiring Dalton for this venture will pan out over the course of this review).

The town of Jasper is basically being run by a mob boss wannabe by the name of  Brad Wesley (Ben Gazzara).  It becomes evident that Brad has the run of the town, and has everyone trembling at his feet.  He has everyone paying protection to him to be allowed to function within the town.  He also has the law enforcement under his thumb.  (Which explains how no cops seem to ever show up when fights break out.)

The first thing that Dalton demands from Frank is $5000 up front and $500 a day as the top dog.  Which brings one to wonder how much money a small town bar expects to bring in on a daily basis...

You can see from the beginning that Dalton has his work cut out for him.  This bar makes the average Western saloon look like a mom and pop fine diner.  There are more bottle flying and fists pumping in the space of a minute than you can even keep count.  The waitresses are selling extracurricular enhancements, the bartenders are skimming the till, and the bouncers are not pulling their own weight.  One of Dalton's rules at the beginning is that he must be given free reign to make the changes he deems necessary.  Which includes getting rid of the excess weight.

HE sets down the law with his three rules:

1. Never underestimate your opponent. Always expect the unexpected.

2. Take it outside.  Never start anything in the bar unless it's absolutely necessary.

3. Be nice. Until its time to not be nice.

Of course, these new rules do not necessarily set well, not just with unruly patrons, but even with former employees.  And time and again Dalton goes out to the parking lot to find his car has been vandalized.  But he takes it in stride.

He finds a place to live, a room on a dilapidated farm owned by an old geezer named Emmett (Sunshine Parker).  And he finds time to develop a relationship with Dr. Clay (Kelly Lynch), the local female doctor.  Making for one of the screen's most quick romances.  He just meets her and they fall in bed together (oh the charm of Swayze..)

 

 

It takes almost half the movie to introduce the real conflict, however, that of the villain of the film. Wesley.  Wesley develops an intense dislike for Dalton, some of it due to the fact that he is helping turn the Double Deuce into a better and more profitable place (which probably irks him more because he can't dip his fingers in the pie...)  But also because Dalton is developing a relationship wit Dr. Clay, a girl that Wesley once had, but apparently lost sometime in the past.  (Could it be because he is an unprincipled jackass...?)

 

Wesley and his hoodlums cause all kinds of ruckus, including the demolishing of the local auto parts place (ostensibly because the owner would.t pay he protection racket fees.)  But eventually he sets his sights on getting rid of Dalton one way or another.  Dalton has some help however, when his mentor, Wade (Sam Elliot) shows up and helps him kick some villain butt.  

 

But even this is not eventually enough.  And Dalton has a decision to make, either stay and fight, or just get out while the getting is good.  It turns out, however, that Dalton has his choice made for him by the actions of Wesley.

 So is this a good movie?  Well, as I mentioned there is a couple of major plot point that just doesn't make sense.  For one, I find it hard to believe that small town bar is such a going concern (even if it is on the outskirts of Kansas City). And how a town located that close to a major metropolis could have a small time hoodlum exercising that much control over the operations seems to be a bit far-fetched.

One of the things I mentioned in the beginning is this movie seems to be just  looking for a fight to happen.  It seems like every five or ten minutes a fight breaks out just to break up the monotony of dialogue and character interaction.  And they are quite a few dead bodies by the end of it, but most of those crop up in the final 10 minutes.  Looked at from a different angle, you could say it's one big fight scene broken up by the occasional breaks of dialogue...

You should know that the movie did get nominated for several Razzies including Worst Actor, Worst Director and Worst Picture (but fortunately for this outing it came out the same year as that turkey Star Trek V The final Frontier. There are some things that just deserve to be left on the dung heap) 

I wouldn't say this is a movie every action film fan should watch.  I wouldn't even say you should watch it if you want to be called a Swayze completist.   But if you have an hour and a half to kill and don't want to get into anything too deep, it's not too bad.

Quiggy

 

"Hey! I Know That Guy" Episode #1 ( of a Hopeful Series)

 Presenting Episode #1 of a series of posts I'm titling:

HEY! I know that guy!

OK, so you may not have noticed I do this frequently.  Get some inspirational idea and try to run with it.  So this may be an ongoing series (and then again it may die on the operating table) But  I am going to give it a shot.

Premise:  One of my favorite TV shows is the old 50's/60's TV show, The Twilight Zone.  The old anthology series had a strange story each week, and, since it was an anthology series, as opposed to a weekly drama, there were no recurring characters, or for that matter, recurring actors.  Admittedly, there were a smattering of actors who came back time and again for the series, but the only mainstay was the show's host, Rod Serling.

The man himself

 

Now, the headliner in these episodes was almost always a star in his or her own right. The first season alone had such luminaries as Ida Lupino,  Ed Wynn, Rod Taylor, Anne Francis and Howard Duff, just to name a few.  But each episode also had a supporting cast, some of which had not quite hit the heights they would later claim.   Many of the minor characters in these vignettes were just riding on the verge of discovery.

Of course, at least two of those  episodes had only two people on screen the entire time of the episode, and in those cases both actors were fairly well established by then: I am speaking, of course of  the third season episodes of "Two" and "A Game of Pool".  "Two" featured on Charles Bronson and Elizabeth Montgomery, and "A Game of Pool" featured only Jack Klugman and Jonathan Winters. So if this series goes on long enough and I choose to focus on one or both of those episodes, my choices will be limited.

 

Chuck and Liz

 

Jonny and Jack

 

So, anyway, back to the inspiration. One day, several years ago, I came home from being out carousing and turned on my TV to see what was on.  I started watching what turned out to be the Robert Redford movie Brubaker. In one scene, Redford is conversing with a character who is one of the prison trustees.  And I said "Hey! I know that guy!" But I couldn't figure out where I knew him.  Fortunately I had access to the internet by then and zipped over to my computer.  With a little effort, I found out the actor  was Matt Clark.  Still wasn't sure even with that, but a glance at IMDb told me Clark played Packy Harrison in the film In The Heat of the Night, and I immediately recalled his brief scene.

Thus, we have the inspiration for this series.  I'm going to pick one of the secondary characters from an episode of The Twilight Zone. In each post I will encapsulate the plot of the episode, as well as point out the actor and where he or she appears in the episode.  Then I will give some brief background on said actor, and highlight one (or more) of his or her memorable performances.

I hope this is enjoyable.  Don't know yet how it will all flesh out.  And I'm probably not going to stick to any predetermined sequence.  But I have decided to start at the beginning anyway.  The very first episode had only one character in it for 90% of the story.  The main character was played by Earl Holliman, a somewhat star in his own right by this time, though mostly as a supporting cast member.  For instance he was one of the astronaut crew accompanying Leslie Nielsen in the classic sci-fi movie Forbidden Planet.

 But at the very end, after the denouement, several more characters make their presence known and one these is played by James Gregory. 

 

So who is James Gregory, you might ask?Gregory was one of those actors who, even if you don't know his name, is definitely a familiar face (and voice).  Some of you may remember him best from the TV series from the late 70's - early 80's, Barney Miller.  Gregory had a recurring role as Inspector Luger.  And, although he was hidden by makeup, his voice was recognizable from Beneath the Planet of the Apes as General Ursus, one of the gorillas who sought to capture the main character in the film.

 

Interestingly, Gregory got his start in 1941 in a religious film called Journey to Jerusalem, but his acting career got put on hold (sort of) with the outbreak of WWII. Not sure what his actual duties involved during his service work, but he apparently got involved in helping make propaganda films, since he made at least one during that time. (There is a clip of him and a couple of other soldiers confronting a Communist street speaker in the film The Atomic Cafe. But try as I might I have been unable to find a title for the original film they gleaned for the clip).

After his return to civilian life, he started doing more acting work, including being the lead actor on a TV series from the 50's called The Lawless Years.  Gregory would go on to some more prominent work during this time, although he never really became a headliner.  One of the more prominent roles I remember is he was Senator Iselin, the prime target for the assassination attempt in the 60's thriller The Manchurian Candidate.

But his mainstay during his career was really with TV.  Notably he played the victim in one Columbo episode ("Short Fuse", featuring Roddy McDowall as the killer) and as a subsidiary character, the coach of a football team being run by another killer (Robert Culp) in "The Most Crucial Game", thus making him one of a handful of actors who appeared more than once on that iconic mystery series.

And, back to The Twilight Zone, he also had a meatier part as a Confederate soldier who stops to talk to a woman on her porch as the road filled with soldiers trudges by on the nearby road.  (The Passerby) 

In the first Twilight Zone episode, however,  the main focus is on a character, played by Earl Holliman, who finds himself in a town where there is no one else, although it appears at times they may have just left within the past hour or so.  Holliman's character desperately tries to figure out what is going on, as well as try to remember who he is and and how he got there in the first place.  It turns out that Holliman had been going though isolation and sensory deprivation exercises to see how they might affect potential astronauts on deep space travel.  At the end of the episode it is revealed that he has been watched by several Armed Forces  bigwigs, one of whom was a General played by Gregory.

In this episode, Gregory serves as the grounding in reality, the connection to the poor schmo who had to spend some 484 hours (that comes out to about 20 days, to give you perspective)  in this box as a guinea pig to see how long term isolation would affect his mind. The General may come off a bit uncaring, since it was his experiment, but he does show some compassion at the end.  

As mentioned earlier, Gregory's biggest bulk of acting roles occurred on the small screen.  He was really an important cast member in Barney Miller during that series' run.  He was introduced in the first season, but only had a few limited guest shots in the first couple of seasons.  He became a frequent star as the series went on , and in season 4 he was included as one of the stars of the show as the opening credits rolled.

Over the course of it's six seasons, there would be some characters that would come and go.  Notably Gregory Sierra, who many probably remember as Julio on Sanford and Son, stayed only through two seasons.  Abe Vigoda likewise left the series after a few years.  Jack Soo unfortunately passed away during the series run.  And there were a few additions that came on to compliment the cast, like Steve Landesburg, and surprisingly enough to me,  since he was such a strong presence later in the series, Ron Carey. 

The Season 4 Cast

 

With such an ensemble cast, there were often two or three stories going on in any episode, and thus not much dominant screen time for any one character.  But a highlight, for the episodes where he did appear,   was when Gregory walked into the squad room as Inspector Luger. He always came unannounced, just seemingly "happened to be in the neighborhood" kind of visit.  Of course, with Inspector Luger you never knew .  Ofttimes he was just showing up because he was a lonely man that craved attention and recognition,  Luger was guy you could get annoyed with because he was insensitive and oblivious to any one who might take offense, because he was just being genuine.  And then he could drop a bomb on you and make you feel sympathetic for his predicament. because, after all, he was a 50 something year old lifelong bachelor who almost never seemed to be able to settle down in a relationship, which might have mellowed him.

Oh sure, there was that one season when he had a fiance named Agnes (or maybe "Ag-a-nes", since that's how he pronounced it), but as wedding bells advanced he became more and more worried about the loss of independence.

By far, one of the more entertaining episodes of the series was the two-part "Quarantine" episode.  In this episode we got to see how the individual members of the squad were able to cope with being cooped up together, by force.  A prisoner was brought in who was sick and later determined to have either chicken pox or small pox.  As a result a doctor quarantines the entire precinct, and especially the squad room.  Not especially good even in the best of circumstances, but included in the mix are a gay couple who had just come to see Barney about helping them get a reprieve from one of them who was on probation.  And the unfortunate Luger who just happened to decide to visit the squad room at the wrong time.

Most of the rest of the squad room are somewhat upset, obviously, but Luger, being Luger, tries to manipulate the procedure.  And he is also not quite so accommodating to the fact that there is a gay couple in the quarantine.  

This being the 70's, the gay couple do receive some of the humorous remarks,and the gay viewing audience were not always receptive to the portrayal, but the writers did their best to be sympathetic and not condescending when presenting the characters.  There is an interesting video out there on youtube about the trials and tribulations behind the scenes.

Eventually the whole squad room finally settles down to crash on cots put up for the quarantine and Luger has to concede the couch in Barney's office to the only woman who has been quarantined with them (showing one of the rare moments when he is willing to think of others well being. 

Over the years that Gregory was in the acting business, he managed to accumulate over 200 appearances in TV and movies.  Pretty impressive by any standard.  He passed away in 2002 at the age of 90. 

Well, folks, thus ends our first entry in this venture. I had fun, so maybe it won't be the last entry...

 

Quiggy

The Big Bad Wolfe

 

In 2000, A & E Television produced a one off film The Golden Spiders: A Nero Wolfe Mystery, which starred Timothy Hutton and Maury Chaykin as, respectively, Archie Goodwin and Nero Wolfe.  

The Nero Wolfe series of novels, written by Rex Stout had been created in the 30's and were published, both as short stories in magazines (later to be collected 3 or 4 at a time in book form) and novels until the author's death in 1975.  

(Side note:  The mantle of Nero Wolfe has, in recent years, been taken up by one Robert Goldsborough, who does an admirable job of it.)

The background of Nero Wolfe over the years has been spotty, to say the least.  There were at least 4 separate radio series, (3 of which aired during the heyday of radio entertainment,  radio being the prominent format for home entertainment, pre- television), and, as near as I can tell, at least 2 attempts to try to move Nero Wolfe into the television era of entertainment (prior to the series discussed today.)

One of those, which I remembered fondly and have been lucky enough to have found on DVD featured William Conrad as Wolfe and Lee Horsley. 

Conrad, of course, will be familiar to most of you.  Not only was he the voice of Matt Dillon when Gunsmoke was a radio show (obviously if you've seen him you know why he didn't transition to that role on TV), and he played lead roles in two TV series, Cannon and Jake and the Fatman.  Lee Horsely, on the other hand, may not be all that familiar, depending on your perspective.  He did have the lead role in a Magnum, P.I. knockoff (my perspective of it anyway), Matt Houston. But other than that, he has a very slim file of appearances.

There were also a couple of attempts to bring the character to the big screen, both of which took such liberties with the character that Stout himself refused to authorize another adaptation.  (Seems like Stout had much the same opinion of these attempts as Stephen King has been known to have for film adaptations of his works.)

So back to the original premise of this post.  A very good adaptation of Stout's The Golden Spiders was produced for A & E.  Not only did they stick with the story as much as possible (which includes...spoiler alert!....the death of the kid who comes to Wolfe's door early in the story).  And, BTW, not the same with an earlier adaptation. In the 1977 TV movie that preceded the Conrad/Horsely series, the boy survives... so much for PC TV. 

Anyway, the reception to the A & E movie was such that the studio greenlighted a series.   And each one was to remain true to the original Stout vision.  The sad part is only 20 episodes were made,  But each one of those was adaptations of already published Rex Stout stories.  Unlike the multiple radio series and the 1981 TV series, the producers didn't attempt to create their own intricate mysteries for the detective.

And there was a new twist (one that I hadn't seen at any rate) on this new series.  Th episode featured a repertory (multiple actors who came back each episode playing different characters each time. There were a few recurring characters in the series, including the familiar ones such as Fritz Brenner, Wolfe's major domo and chef (always played by Colin Fox) and the irascible Inspector Cramer (always played by Bill Smitrovich). Plus frequent secondary help from independent P.I.s Saul Panzer (Conrad Dunn, Fred Durkin (Fulvio Cecere) and Orrie Cather (Trent McMullen).

Colin Fox

Bill Smitrovich

Conrad Dunn

(And, BTW, does Dunn look familiar?  He was the character "Psycho" in the Bill Murray movie "Stripes"...)

But in addition, there were multiple members of the cast who were part of the repertory who would come on in various roles as needed.  Among these were a couple of familiar people.  James Tolkan (who, if not familiar by name, is definitely familiar by face... he was Principal Strickland in the Back to the Future series of films). Tolkan is recognizable, most of the time.  It took me by surprise that it was him in one episode, however, since the character sports a shaggy toupee(?) and a big bushy mustache, but you hear his voice and think, "oh, yeah, it's him...")

 George Plimpton (probably better known as an author than as an actor, but he did have some acting credits), is also among the familiar names.

The rest of the recurring repertory were names I had never heard of prior to watching the series, and none of them appeared in ALL the episodes.  It usually depended on what characters were present in the stories. And since they were instrumental members specific to the plot of each individual episode, they were, of course, not reprising a previous role from a preceding episode.

One of the highlights when watching the opening credits, for me, was seeing that Kari Matchett was included in the cast. 

Twice she only briefly appeared, as Lily Rowan, Archie Goodwin's now and again enamorata, and was thus only briefly involved in the story.  At other times she was a significant player in the ongoing plot of the episode., and so I got to see more of her.

A complete list of the actors and actresses who appeared over the course of the series can be found here:

Nero Wolfe Characters (2001-2002)

The series was well-scripted with much attention to keeping it in line with the original stories.  The list of teleplay authors is pretty good, too. Sharon Elizabeth Doyle wrote a majority of them, and her resume is not real extensive, but she did a good job with the adaptations.  

But also included in the cast of writers was Stuart Kaminsky, whom some will remember has the writer of at least two fairly well known detective fiction series, one of which ranks among my favorites, that of Toby Peters. Peters was to put it in my own terms "detective to the stars".  Each book involved the detective working with stars of the 30's and 40's Hollywood.

And then, the final set of writers I want to highlight are Lee Goldberg and William Rabkin, both of whom later wrote scrips for one of my favorite TV series, Monk. And Goldberg has even a few of the Monk novels under his name. (not to mention a few others, he is prolific...)

The A & E was far too short, however.  What could have gone on for several years only lasted two.  With a combined total of 74 stories and novels by Stout alone, that could have expanded the show at least  for another 3 or 4 years.  The biggest disappointment, for me, though was that the series did not adapt my favorite Stout book "Too Many Cooks".  (Of course, adapting that one would have necessitated that most of the female members of the repertory be sidelined, since that one consists of almost all male characters).

At any rate, having been cooped up this week, I finally got a chance to more or less binge the entire series.  It gave me a serious jonesing to see more of Timothy Hutton, whom I had forgotten was such a great actor.  I remember my first experience was seeing him in Taps  and Turk 182 in the early 80's. The last thing I remember seeing him in was as the main character in the adaptation of Stephen King's The Dark Half. 

Primarily I remember Turk 182 as it was a big influence on me in my youth.  I still remember it some 40 years later, even though I only saw it that one time in the theater.  Currently trying to track down a copy for a review, but might have to break down and buy it retail, since I can't find it in the used stacks and it's not streaming currently.

Maybe one day (I doubt it, but one can hope), another well produced Nero Wolfe series may appear on the scene.  Not sure who among the current available actors could pull off a believable Nero Wolfe, however.  Unfortunately Chaykin passed away a few years ago, so it would have to be somebody else, and the role is limited in it's potential prospects, given the size of Wolfe himself.  (God forbid they get somebody like an Arnold or Sylvester and put a fat suit on them... and if you needed last names there, boy are you a newcomer...)

Well, folks, if you happen upon this great adaptation, it's worth a look. And if you only get to one or two, might I suggest you start with The Doorbell Rang as your first?  You really get to see Archie (Hutton) at his best and Nero (Chaykin) holds his own especially in moments of exasperation with others.

Drive safely folks.

Quiggy

Muscles and Steel

 Note; It wasn't planned, of course, since this blogathon was created a few months ago, but I think it's fitting that I should dedicate this entry to the memory of one one of the most iconic voices in Hollywood, James Earl Jones. Jones, in case you were unaware, left the scene earlier this week.  Not only did he give us the memorable voice of Darth Vader, but he played both good and bad guys with style, Go check out some of his classic roles.  (Here he was Thulsa Doon in the first entry of this double feature).

This is my entry in the Barbarians at the Gates blogathon hosted by Hamlette's Soliloquy and yours truly.

The barbarian movie begins (but not necessarily ends) with Conan.  There were a few others, to be sure that predated the two Arnold Schwarzenegger movies featuring the iconic warrior, but I would be willing to bet $$ it would never have taken off to the heights it did it if "The Governator" hadn't come on the scene.

Imagine, for a moment, if you will... Conan the Barbarian... starring...Charles Bronson.  Believe it or not, in the early 70's when this production first started getting batted around Hollywood, Chuck was one of the guys considered. Now Bronson would have been in his 50's, and I don't know for sure how buff he was then, but still...

Another was William Smith (who actually did get a brief role as Conan's father early in the film).  He was a bit younger than Chuck, by 10 years, but still. A mid-40's Conan? 

The third option, and by this time beefcake enough to have pulled it off, was... Sylvester Stallone.  Well, he was indeed turning to a muscular behemoth even in the  early 80's.   And he could have given Arnold himself a run for his money when it came to enunciating.  But I still don't think the swords and sorcery genre would have taken off quite the way it did if Stallone had been at the helm. 

One note in particular about the first movie.  The background to the character of Conan is changed somewhat from what my research says was Robert E. Howard's background for his character.  In the novels Conan develops in his village as a muscular warrior and goes off to the road to adventure from there.  But the movie has a different tack on it.

In the film, a quiet village goes through day to day life.  Conan's father (William Smith) is a metalworker and teaches his young son about what they believe and the legends of their peoples. This includes a down to earth god, much like the people that worship him, Crom.

Into this bucolic setting rides an invading horde.  Since the end result is that the village is burned to the ground and all the men are killed (and maybe even all the women), apparently they are only there to get Conan, who is taken captive.

Conan watches as the warriors lay waste to his village, killing his father.  And then, while standing there holding his mother's hand, the leader of this marauding horde rides up, and removes his helmet.  Thulsa Doom (James Earl Jones). doesn't even need to say a word.  (We don't actually get to hear Jones' iconic voice until much later in the movie.).  All he has to do is just stare into the eyes of Conan's mother and she drops her sword.  And then Doom beheads her.

Conan, along with several other boys, are taken captive, and eventually put to work as slaves turning a wheel.  At the start, all of them turn the wheel. (And what the point of this wheel is is never really clear...) Eventually all of the other children fall to the wayside (whether by death or some other circumstances is also not really clear.)

This leaves Conan himself, who through all this has become a very muscular older man.  And he is released from his captivity.  The scene shifts to him, supposedly free (but still has some remnants of chains on him so I'm not sure.) Being chased by wild dogs he hides in a cavern which quite possibly is a burial tomb.  A skeleton that appears to have been a former king sits on a throne with a sword.  Conan takes the sword, cleans it up and removes the remaining chains.

When he gets out of the cave/tomb he encounters a witch who revels to him some important information on where he can find the men who killed his father.  He has to go to a town where more will be revealed.  Along the way he meets a thief named Subotai (Gerry Lopez) and the woman with whom he becomes infatuated, Valeria (Sandahl Bergman).  

The trio raid a tower and kill a big snake and get some jewels, but their escapade comes to the attention of the local king, Osric (Max von Sydow),

Osric gives them a quest, rescue his daughter who has come under the influence of a powerful sorcerer (you guessed it, Thulsa Doom). Both Subotai and Valeria try to convince Conan to turn down this quest, but, revenge is a dish best served cold (to quote another movie).  Conan has to go after Doom for the honor his dead parents and ends up taking it alone since neither is willing to go on this obviously no-win endeavor.  (I mean Thulsa Doom is renowned for his big time status as a wizard after all.)

Conan makes his way to the citadel and runs across a small time wizard (Mako) in his own right (and by coincidence our humble narrator of the saga),  who gives him some help but sends him on his way.  Conan arrives at Doom's citadel. where he poses as a wannabe convert, with the help of a priest whose robes he "confiscates".

But Thulsa sees through him (wizard, remember?) and orders him to be crucified.  But Conan is not going to go down so easily. Even as he is crucified and beginning to be eaten by vultures he still tries to fight back.  And to his rescue come his friends. Both Subotai and Valeria come around to his way of thinking and agree to help him on his quest to rescue Osric's daughter. But first they must nurse him back to health and for that they need the help of a wizard.  The same wizard Conan met on his way to Doom's citadel.

 But ultimately Doom has some manner of magic and Valeria ends up dying. 

Conan pleads with Crom to help him in his quest for revenge. And since Valeria has previously promised if she died and Conan needed her help to defeat the powers of darkness, well..

They don't get much more magical than this.  You have to summon some serious powers to defeat a big time wizard like Doom, and Conan is going to need every bit of it.

So I'll leave just a bit of stuff for you to check out, but since Conan returns in the sequel you know somehow he's gonna win.  But just how is worth the wait.

Conan the Destroyer (1984):

The ensuing years since Conan defeated the power of Thulsa Doom and his minions ad lost his great love Valeria have not been easy for Conan.  He wanders the world looking for things to help him deal with his loss, but nothing seems to fill the void. At the time of the beginning of this film, he is just an itinerant thief, working with a fellow thief, Malak (Tracey Walter).

Into his world comes a band of soldiers who are intent upon, not killing him, but capturing him. He is able to fend them off fairly well, well enough that the leader of the band stops the fight.  The leader turns out to be a queen, Taramis (Sarah Douglas), who has been seeking a champion for a quest.  And she has the right bait to lure Conan, since power and money are not an incentive.  She promises him, at the outset, that she can bring back Valeria from the dead.  And, Conan, being a lovesick mourner (as well as not as cynical as I would be), falls for her bait.

So what is this quest?  Conan is hired to accompany Taramis' niece, Jehnna (Olivia D'Abo), on a journey to retrieve a key that will be used to revive the god Dagoth.  

It is a convoluted myth, but basically Jehnna is the prophesied girl who is the only one who can actually touch said key.  Conan will accompany Jehnna, and Bombaata (Wilt Chamberlain), Taramis' captain of the guards, on this quest.  

What neither Conan, or for that matter Jehnna, know is that Taramis is trying to fulfil a prophecy that will bring a god back to life, but that will require the sacrifice of Jehnna, the "virgin" that so often shows up in these kinds of legends.

 And, also, it turns out, Taramis has no intention of fulfilling her promise to Conan (whether she could or not). She instructs Bombaata to kill Conan once the key is retrieved.

So we begin the journey, Conan, Jehnna, Bombaata and Malak.  But along the way we will acquire a few other travelers, including the wizard friend from the previous adventure (Mako), who has since acquired a name, Akiro.  Akiro has to be rescued, however, since he is currently the main course of a feast for cannibals.

Also, in a village, they come across a woman who is chained and fending off six tormenters.  She is the last of a band of marauders that had attempted to raid the town..  After helping her (simply by unchaining her), Conan and the band ride on.  But the woman, Zula (Grace Jones) follows and wants to join with Conan on his quest.

The first step is to somehow get in to the castle of Thoth-Amon (Pat Roach), which is located out in the middle of a lake (and since Thoth-Amon is a wizard, guarded by some serious magic).  Conan insists they wait until morning to try their attempt, but Thoth-Amon has other ideas.  He turns into a giant bird and captures Jehnna.  (Using some pretty cheesy special effects to accomplish it...) Leaving the rest of the band to figure out how to rescue her and complete the quest of retrieving the key they came for.

They invade the castle, but are greeted by far greater magic than they have encountered yet.  Conan has to fight a creature in a room full of mirrors.  A creature comes out of each mirror and combines to form one creature, one that seems almost impervious to anything Conan can try to defeat it.  The solution to it's defeat is not necessarily ingenious (in fact in retrospect it seems kind of cheesy) but it is a satisfying solution.  (And I won't give it away, but I bet even if you've never seen the movie you can guess how to defeat this creature.)

It turns out that the creature's death also results in the death of Thoth-Amon, who had used magic to make himself the creature.  So now Conan and company can retrieve the key they came for.

The next part of the journey should be without Conan, since this is the point that the queen gave Bombaata instructions to dispatch him.  But Conan has other plans.  Bombaata, for his part, manages to convince Conan that the queen's guards have attacked on their own, not by orders of the queen.  Conan, if anything, gullible to subterfuge, believes him.  So the crowd continues on its way to the next quest, which is to use the key they got to retrieve the real relic they were after.  A cavern, and a big stone door that requires the strength of both Conan and Bombaata to open.  (So it turns out that it's a good thing Bombaata and the guards didn't succeed.)

Inside the hidden room is the horn of Dagoth, and an inscription which Akiro translates and discovers the ultimate destiny both of Jehnna and the horn.  But when Akiro tells Conan of the writing he dismisses it.  

Eventually Bombaata manages, he thinks, to trap the rest in the cavern and escapes with the girl.  but since this is Conan, the rest manage to escape and decide to go back to the city to try and stop the queen's evil plans.

The rest is the battle that occurs after the horn is replaced and the statue of Dagoth is revived.  But in order to complete the rite, you remember, Jehnna the virgin must be sacrificed.  Of course, if the rite is not completed as it is written things could go awry. Which of course is what happens.

So how does Conan defeat the evil forces?  Watch the movie!

It's too bad that the saga did not continue from here.  But then if it had we would have missed out on a few other great movies that Schwarzenegger did from here on out.  But it was not necessarily the end of Conan on film.  There was a 2011 reboot with Jason Momoa as the titular character.  But since it failed to even recoup it's production money at the box office, that pretty much torched a Momoa sequel. But we can always keep our hopes up, because Hollywood never lets a budget deficit completely bury a potential possibility of new reboots.

Well, folks, time to head out for home (wherever home may be).  Keep an eye out for those wizards, you never know what they might be up to.

Quiggy

The Barbarians at the Gates Blogathon Arrives

 

The music rises to a crescendo.  A burly, muscular guy rides a horse up over the horizon in the distance. Cue the close up. The face of the determined serious horseback rider as he stares slightly off camera.  Cue the point of view change and we see an army of skeletons advancing over the hill and a huge ominous tower behind them.

The implications are clear.  The burly Adonis has an objective and his goal is hampered by the presence of the skeletons.  He must defeat them.

Is this going to end well?  Well, if you are a fan of these types of movies you already know the answer.  Whether by himself, or with the help of a coterie of allies, some of whom may die in their efforts, the heroes will succeed.  The outcome is a foregone conclusion, but the journey is the essence.

Hence this blogathon, a celebration of swords and sorcery movies, ones where human heroes (or even would-be heroes) face down the hordes of supernatural evil.

Over the next two days, Rachel @ Hamlette's Soliloquy and I will be celebrating this genre, as well as a few other stalwart companions who will be presenting their own forms of "barbarian worship".

THE BARBARIANS: 

Realweegiemidget Reviews: The Beastmaster  (1982)

 

 

Hamlette's Soliloquy: Dungeons and Dragons: Honor Among Thieves (2023):

Speakeasy: Hercules in the Haunted World (1961):

The Midnite Drive-In: Conan (Schwarzenegger Double Feature) (1982/1984):

18 Cinema Lane : Willow (1988):

Taking Up Room: The Scorpion King (2002):

Whimsically Classic: Sleeping Beauty (1959):

More barbarians to come. Tune in later.

Quiggy