Tuesday, March 10, 2020

Flight to Destiny



This is my entry in the Claire Trevor Blogathon hosted by The Wonderful World of Cinema and In  the Good Old Days of Classic Hollywood




So where did disaster movies get their start?  If you are thinking Irwin Allen, I suggest you are off by a few years.  The High and the Mighty predates any of his films by 20 years.  In fact the classic Airport (which wasn't directed by Allen, and in fact predates even Allen's disaster movies by a couple of years) was still 16 years away.  I would consider The High and the Mighty to be the father of all disaster movies.

It has all of the elements of those classics that you remember, such as Airport, The Poseidon Adventure, The Towering Inferno, and others.  It has an all-star cast all pitted in a classic nail-biting event where unfortunate events may or may not mean death and destruction to the people caught up in those events.

Starring John Wayne, Robert Stack, Claire Trevor, Phil Harris, Robert Newton and a host of others, the plot is a plane ride from Honolulu to San Francisco in which it appears that the plane just might not make it to its final destination.  All of the characters are either running from their respective pasts or running from their futures.  Its Melodrama with a capital "M".

The movie garnered 6 Oscar noms including one for both Clair Trevor and Jan Sterling for Best Supporting Actress (both of which lost to Eva Marie Saint for her role in On the Waterfront).  I note that both of of those were pretty good in the film, but their screen time is shared by so many others that they sometimes seem lost in the shuffle.




The High and the Mighty(1954):

Dan Roman (John Wayne) prepares to help pilot a transatlantic flight from Honolulu to San Francisco.  Roman is rather old to be a co-pilot, but he has a past that has inhibited him.  It seems that a few years earlier he had been a pilot on a plane that crashed, and among the dead were his wife and young son.  So he has not had an entirely great life in the interim.

The passengers include a variety of characters.  May Holst (Claire Trevor) is an actress who hasn't had much luck in recent years.  Sally McKee is a former beauty queen who is on her way to meet a future husband, except the potential mate, she thinks, is attracted to her because he thinks she is the young beauty queen he saw in a picture that is several years old.  Lydia Rice (Laraine Day) is an heiress whose husband, Howard (John Howard), has rashly invested in a gold mine and she doesn't want to be with him anymore because of it.  Donald Flaherty ( Paul Kelly) is a professor who has been helping the government with some project (probably a bomb, but it is never really established) and has left the project in disgust to go back to his university.  ED Joseph (Phil Harris) and his wife (Ann Doran) are returning from a less than spectacular vacation on the islands.  Throw in a few more people, each of which is trying to deal with their own personal problems (John Smith and Karen Sharpe play a young married couple returning from their honeymoon with worries about the future) and you have an assortment of people that only a Hollywood movie could pit together.

On the flight things are going smoothly until one of he four engines catches fire.  The fire is put out forthwith, but damage has caused some of the fuel needed for the flight to leak out.  This creates the drama that drives the film.  The navigator, Lenny (Wally Brown), insists they could make the coast if the winds will just play along, but it turns out that he has made a miscalculation.  The pilot, John Sullivan (Robert Stack) thinks the best course is to ditch the plane in the Atlantic and wait for a rescue from the Coast Guard, which is on its way to intercept them.  But Dan is convinced by Lenny that they could actually reach the coast.

AS the flight goes on, the passengers and crew deal with their personal problems, as well as face the uncertain future that they may not actually survive to face it.  The tension mounts, as it must do, and there are some twists along the way.  Don't miss the scene where one unstable passenger confronts another with the accusation that the other has been tempting his wife into infidelity.  This being 1954 and not 2020, you will see some things that nobody could get away with in these post 9/11 days.  Not including the fact that in those days you could actually smoke on a plane.

Whether the plane arrives in San Francisco or not, some or all of these people will experience their own individual rebirth into life.  As must needs be in classic Hollywood style.

THat all for this trip.  Drive safely folks.

Quiggy



6 comments:

  1. That's it! This weekend I am watching The High and the Might (DVD on shelf). Wild Bill Wellman certainly had a thing for those planes.

    I'll be sitting with my popcorn waiting for that scene with Duke and Bob Stack. Plus, I will certainly take the time to appreciate Claire Trevor and Jan Sterling.

    ReplyDelete
    Replies
    1. I love the part where Sterling opens up. If I was William Hopper, I would have taken her just as she was without all that glamour magazine stuff. Thanks for reading.

      Delete
  2. Hello, I'm hosting that blogathon as well (The Wonderful World of Cinema). If you could credit me as well, that would be great! ;)
    Great review! The High and the Mighty definitely has a very impressive cast including a worthy noticing Oscar-nominated performance by Jan Sterling. Of course Claire was great as well!
    Thanks for your participation to our blogathon!

    ReplyDelete
    Replies
    1. Meant to fix that in the rewrite. I originally just put in enough print for a bookmark, but never went back and fixed it. But hey, at least I didn't leave it as "blah blah blah" which is how I initially set up my bookmarks... :-D (I actually forgot to replace the "blah blah blah" once, and didn't catch it until I had already posted...) I fixed it now/ Thanks for reading.

      Delete
  3. Great one!! Need to see again. My favorite John Wayne movie, in fact, one of his rare non Westerns, and as a HUGE disaster film fan, this is indeed the progenitor of the genre. And you are so right, Quiggy, they are ALL pure melodrama, from the 1970s all the way up to Deep Impact and The Day After Tomorrow!
    - C

    ReplyDelete
    Replies
    1. I've said before my favorite Wayne movie is El Dorado. But this one is fairly good. Thanks for reading, Chris.

      Delete

I'm pretty liberal about freedom of speech, but if you try to use this blog to sell something it will be deleted.