Note: It's true locally. I imagine it is true in your neck of the woods, too. For 4 days, some theaters are bringing the first four Star Trek movies back to the big screen in celebration of the 60th anniversary of Star Trek. They are pairing the movies with a classic TV episode, one each night for four nights, and then on Sept. 8, you can make a day of it. On Sept 4 you will get Star Trek: The Motion Picture paired with "The Changeling". On Sept 5 you will get Star Trek II: The Wrath of Khan paired with "Space Seed" (which was the original intro to Khan). On Sept 6 you will get Star Trek III: The Search for Spock paired with "Amok Time". On Sept. 7 you will get Star Trek IV: The Voyage Home paired with "The City on the Edge of Forever" (another time travel outing). And, if you want to make a day of it, you can go see all four in succession on the anniversary date of Sept. 8. (Hope your wallet is full. Here, that one day celebration is going to cost $60... It's $15 for each separately).
Sept. 8, 1966.
Do you know where you were that night? Myself, I had probably already gone to bed. (I was not even 5 years old yet). But plenty of people who were older probably remember this night. It was when the classic TV series Star Trek made it's first showing on NBC.
So, what did TV viewers have to choose from that night?
It was difficult to find anything online for that night, and unless I wanted to shell out big money for a vintage copy of the Sept. 3-9, 1966 issue to some E Bay thousandaire, I have only this to rely on: Star Trek ran in the 8:30-9:30 EST time block on Thursday night. Your options during that time would have been Star Trek on NBC, but if you were not inclined to watch a new show (or even a science fiction show), you had the option of The Tammy Grimes Show and Bewitched on ABC or My Three Sons and The CBS Thursday Night Movies (which was apparently a broadcast of the 1961 Jerry Lewis movie The Ladies' Man).
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| "What's on TV tonight, dear?" |
The legend of Star Trek has been rehashed over the years countless times. I don't need to go into a long drawn out detail of the history. In fact, if you really want to go down that rabbit hole there are plenty of books out there that can do it a lot better than I can. I recommend Star Trek FAQ by Mark Clark (who also did the same thing with Star Trek 2.0 FAQ, for the Next Generation series). for some really fascinating history, including a condensed biography of the show's creator, Gene Roddenbury.
For the purposes of this blog entry I am only going to focus on facts that are necessary to set up the blog review.
Star Trek had two pilot episodes. The first one, titled "The Cage" had an entirely different crew than the one with which we are all familiar. The only actor that transitioned from that first pilot is Leonard Nimoy as Spock. The captain, the ship's doctor and the rest of the crew were replaced. (Interestingly enough, the one character that the brass wanted replaced, Spock, is the only one that made the cut...) The captain of the Enterprise was played by Jeffrey Hunter. (Side note: Hunter passed away before the first season ended it's broadcast, so obviously there would have been a monkey wrench thrown into the gears if this first casting had been picked up...)
Even though the powers, that be did not like the first pilot they authorized a second pilot. Roddenbury recast the series with all new crew, although like I said, he retained the Vulcan character. Mostly. As you will see Spock went through a couple of changes from the first incarnation.
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| A laughing Spock??? The horror! |
So, with that in mind, here is an overview of the failed pilot as well as the first broadcast episode of the original series. (Note: The first episode ever broadcast of Star Trek on Sept 8, 1966 was NOT the second pilot episode, "Where No Man Has Gone Before". That episode did not appear until the third week of it's broadcast run. The first actual episode that was aired was indeed "The Man Trap", and since this post is celebrating the launch of the series, that is the one I am covering. Some day I may double back and blog about that second pilot, just not today).
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| The original (& not all that impressive) title screen |
Star Trek "The Cage" (a.k.a. The "Lost" Pilot):
To begin with, the original pilot aired without the familiar preamble of "Space. The final frontier...". All you got was a few passes by the Enterprise with the title "Star Trek" and then just "starring Jeffrey Hunter". No other cast members were included, not even Nimoy. You did get a guest starring credit for Susan Oliver, but that was it.
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| Pike and Vina |
The episode opens as the crew is discussing a phenomenon, which turns out to be an old-style distress signal from a ship that had disappeared 18 years earlier. Initially Capt. Christopher Pike (Hunter) is of a mind to mark the spot but not investigate, as some time prior to the beginning of the episode the Enterprise had been in a battle and had several dead crew members as well as some injuries, so the plan was to continue on their journey to a space station to get replacement crew members and help for the injured.
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| On board the Enterprise |
Pike is a somewhat different personality than Kirk. For one thing, early on he is a rather "stick-in-the-mud" type. He broods to the ship's doctor, Dr. Boyce (John Hoyt), over the stress of the job, and is considering resigning and just going home. But his plan is interrupted by the revelation that there are survivors on the planet that that earlier ship crash-landed on years before. So he Pike has to change his plans.
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| Pike confers with his bartender (errr... doctor) |
What he discovers on the planet are the remnants of the scientists, including a young girl, Vina (Susan Oliver), who had been born just after the crash. Except, it turns out that the remnants of the crash are just an illusion created by the residents of the planet, called Talosians. The Talosians have evolved mentally, so that they can use their minds to create things designed to convince the Enterprise that there are things there that aren't really there.
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| Talosian |
The ultimate goal of these illusions is to try to entice Pike to stay on and repopulate the barren planet of Talos. To achieve that, the only true survivor of the human crash, Vina, is going to be the female and Pike to be the male participant in this endeavor. The problem is that Pike is not willing to be the male "guinea pig" in this experiment. He is highly resistant to the idea of being a manufacturing plant for slaves for the Talosians.
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| Pike struggling to cope |
However, being highly advanced intellectually the Talosians have an ace card up their sleeves. They aren't just going to concede, and they have the ability to basically force Pike to give in to their will. They have manufactured every conceivable inducement, including convincing the human Enterprise officers and crew that their "primitive" weapons are useless. When Pike's second-in-command, Known only as Number 2 (Majel Barrett) and his yeoman (Laurel Goodwin) are captured, they tell Pike that he WILL be their male ingredient in the re-population, but now he can have his choice of three women to be the other counterpart.
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| And what if I choose NOT to "choose"? |
But Pike figures out that he has his own ace. The aliens are unfamiliar with the concept of hatred, and Pike realizes that as long as he holds his hatred of the situation at the forefront of his mind he can effectively block the aliens from controlling his mind. Eventually the aliens will have to concede the gamble and let the Enterprise go, along with Pike and his crew. (You didn't REALLY think the aliens would win, did you?
When Roddenbury presented his conceived pilot, however, it was rejected as being too "cerebral". In other words it was nothing like what Roddenbury had promised; basically a Western in space. Or as he called it in negotiations a "Wagon Train to the stars". But the powers that be had faith in the original concept, and authorized another pilot. This one, titled "Where No Man Has Gone Before", would convince the producers at the studio that the idea had merit.
"Where No Man Has Gone Before", however, would not actually air until the third episode. What eventually became the starting point for the series was an episode titled "The Man Trap".
Star Trek "The Man Trap" (original air date Sept. 8, 1966):
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| The improved title sequence |
Roddenbury recast the entire crew for his series. Gone were Hunter as Pike, to be replaced by William Shatner as Capt. James T. Kirk. (The reason for Hunter's exit, apparently ,was because he didn't want to be involved anymore, not that he was replaced by a more fitting actor...) Although not in the second pilot, the ship's doctor was replaced by DeForest Kelley as Dr. Leonard McCoy (He doesn't actually show up until the second episode. In this second pilot we had Paul Fix as a Dr. Piper.) The Number 2 character ended up being melded into the Spock character, her pragmatic emotionless character becoming a part of Spock's makeup. (And we would almost never see Spock smile or laugh in this new form. Nimoy as Spock was the sole actor/character that made the transition.
Additionally, the entirely all-male white crew that populated the original would get a more culturally diverse makeup, including a black female, Uhura (Nichelle Nichols) and an Asian officer, Sulu (George Takei). However, Uhura doesn't actually show up in the second pilot, and, for some reason, Sulu appears to be an aide to the doctor, judging by his uniform. (Did he graduate from life sciences to helmsman between the "Where No man Has Gone Before" episode and the "Man Trap" episode?)
The only missing character to the cast as we all know it was Walter Koenig as Chekhov. He only came on during the second season. (Which, by the way, leads to an interesting "glitch" in the plot to The Wrath of Khan, since the original "Space Seed" episode occurred during the first season, before Chekhov came on board. So one has to ask why Khan says he remembers Chekov in TWOK...)
So, as to why "Man Trap" got the primo spot as the series opener, it was judged that the other episodes in contention for the honor didn't have enough remote location (other planets) scenes, or as in the case of the first episode, too many of the key crewman not on screen. (no Uhura, only a brief view of Sulu and Scotty, and no Dr. McCoy).
The setup for this first broadcast episode involves Kirk and company doing a routine stop on a planet to deliver supplies and conduct medical exams on Dr. Crater (Alfred Ryder) and his wife, Nancy (Jeanne Bal). Crater doesn't want to deal with all this rigamarole and just wants the Enterprise to leave a supply of salt tablets and be on their way.
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| The SALT talks |
Prior to landing Kirk has been teasing McCoy because in his earlier life, McCoy and Crater's wife had been romantically involved, until she ended up married to Crater. When they arrive, McCoy is astounded that Nancy hasn't seemed to age one day since they saw each other last.
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| Young Nancy |
But something is not quite right... Because Kirk sees Nancy has a still somewhat attractive woman, but definitely showing signs of age.
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| Old Nancy |
And a crewman with them, Darnell (Michael Zaslow) sees her entirely differently than either: as a young attractive blonde (Francine Pyne).
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| NOT Nancy |
Clearly it is not really Nancy, and Crater is hiding something, though he professes to know nothing strange is going on.
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| The real Nancy |
When Darnell disappears (after following Nancy as the blonde for who knows what...) the crew on the planet find his body, dead. (That's what you get for fooling around with another man's wife, you little scrub...) Nancy (in her Nancy "disguise") tells them she tried to stop Darnell from eating a poisonous plant. But back on the ship they scientists determine that although the plant was poisonous it wouldn't have caused the skin mottling that Darnell has suffered.
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| The potential marriage interloper |
Ultimately the audience learns that "Nancy" is not really "Nancy" but a creature indigenous to the planet, one that requires salt to survive. It is the last of it's species. It also has the ability (surprise, surprise) to read thoughts and shape change. In this aspect it manages to get itself beamed aboard the Enterprise. Since it can look like anything it wants to look like, it makes it hard to detect which of the crew members may not be who everyone thinks they are.
There are some serious issues that the crew, especially McCoy, has to deal with here. Not only the fact that killing it would mean the extinction of a species, since it is the last of it's kind, but also the fact that the creature is able to play upon McCoy's emotions, since he still has memories and attraction to Nancy and the creature knows it can use that emotion against him.
So, happy 60th birthday, Star Trek. You don't look a day over 59...
Quiggy


















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