Showing posts with label 1985. Show all posts
Showing posts with label 1985. Show all posts

Sunday, February 22, 2026

Semiquincentennial Movie Project #8: D.A.R.Y.L.

 

 

 

The Semiquincentennial  Movie Project is an ongoing celebration of the 250th anniversary of the founding of the United States. During the course of this project your humble blogger is choosing a movie a week to represent each of the 50 states in the Union, as well as a movie scheduled for 4th of July weekend that will represent the nation's capitol, Washington D.C. The order of the weekly entries will coincide with the order of each state's entry into the fold (although, not necessarily coinciding with the date of their entry into said fold).

 



Week #7: South Carolina -



 
The state of South Carolina was established on May 23, 1788 

Details about South Carolina:

State bird: Carolina wren

State flower: Carolina yellow jessamine

State tree: palmetto tree 

Additional historical trivia:

Concerning the Civil War, Fort Sumpter was the site of the first shots ever fired in it. South Carolina was also the first state to secede from the Union.

The Dock Street Theater is the site of the first venue for theater ever established in the United States.

If you've eaten a peach, it's likely it came from South Carolina. The state produces more peaches than even Georgia...

The first game of golf ever played in the U.S. was played in South Carolina.

South Carolina is the only state in the Union that owns and operates the school bus system for the whole state. 

Famous people from South Carolina: Vanna White (from Wheel of Fortune), "Shoeless" Joe Jackson (of the infamous Chicago Black Sox), "Dizzy" Gillespie, "The Godfather of Soul" James Brown and Andrew Jackson (7th U.S. President). 

 

 

 

D.A.R.Y.L. (1985): 

Yet another of the kids vs. science fiction trope that got kicked off with Steven Spielberg's E.T. The Extraterrestrial. This one features Barrett Oliver (and that is his real name, despite the fact that it sounds like it might have been inspired by Ryan O'Neal's character in Love Story, Oliver Barrett.) Oliver had come to prominence the year before after being cast as the lead in the fist The Neverending Story series of films. That role garnered him some attention, as he was nominated for a Young Artist Award in the category of Best Starring performance. (He was beat out by his co-star in the film, Noah Hathaway).

Oliver only had a brief career in film. He was in today's film as well as both Cocoon and Cocoon II: The Return, but by 1989, after a brief 8 year run in the industry, he apparently decided to go a different route. He is currently a photographer and his work as such has been seen in museums and even on film, but he quit the in front of the camera before he even reached the age of maturity. (He was only 16 in his last film).

D.A.R.Y.L. open with a car chase. A boy and an older man are on the run from a plethora of chase vehicles (cars, helicopters, etc.). The older man drops off the boy and continues on it's run, ultimately crashing by driving the car off a cliff. The boy, basically on the run in the woods, ends up being discovered by an older couple and ends up being taken to a children's shelter.  


 

The director of this children's shelter is Howie Fox (Steve Ryan) and his wife Elaine (Colleen Camp). They are neighbors and good friends with the Richardsons, Andy (Michael McKean) and Joyce (Mary Beth Hurt). The Richardson's have been looking to adopt a child, and this boy just might be the start. Although they are told from the beginning that the boy is suffering from a form of selective amnesia... he knows his own name, Daryl, but he can't remember anything about his parents. So basically the Richardsons  can only foster care for the boy until he remembers who he really is.


 

While with the Richardsons it becomes apparent that Daryl is rather unique. He exhibits quite a bit more intelligence than the average 10 year old, and he is polite and respectful to everyone. He also shows an uncanny ability to learn and adapt to new studies, such as becoming a phenomenal home run hitter despite not even knowing how to play baseball when first introduced to it.


 

Eventually two adults show up claiming to be Daryl's real parents, although it is not a spoiler to learn that they actually aren't... they are scientists who had developed this advanced robot, whose real designation is D.A.R.Y.L. (That stands for Data Analyzing Robot Youth Life-form). He is not a real boy, although he probably wants to be. He has developed an affinity for the couple who were raising him, and a friendship with his neighbor, a boy only called "Turtle". In other words, he has exceeded the boundaries of what he was originally developed for: that of a government utility for whatever purposes the government wants him to perform. He was NOT expected to develop a personality or garner any range of human emotions.


 

As a result, the head guy in charge of the government organization (which is never actually named, but is probably the C.I.A., given how that organization operates in these kinds of movies...) orders that the D.A.R.Y.L. program be terminated, and that Daryl be deactivated. The fly in the ointment is that one of the scientists, Dr. Stewaert (Jeffrey Sommer) has let the outsiders of the Fox and Richardson family know of Daryl's true nature. And Dr. Stewart has also gained a conscience, so he plans to fool the government entity that Daryl has been deactivated when in fact he plans on escaping the facility with Daryl.


 

Just how he expected to fool a government entity that has a reputation for knowing when an individual goes to the bathroom despite said individual even realizing there is someone with that knowledge, is anybody's guess. The final reel includes Daryl driving a car like he is in a game of "Pole Position", a video game he has previously become familiar with, and even operating a supersonic jet, which he only learned by being shown how just a bit earlier in the film.


 

If you've watched these kinds of films before you don't need me to tell you how it ends.

The movie was not a big hit at the box office, it didn't even make back it's budget of $10 million. It garnered only a 50% on Rotten Tomatoes, which means half of the reviewers liked it, but half of them didn't. Vincent Camby sums up the good view by saying that "the best thing that can be said about D.A.R.Y.L. is that it's inoffensive... [but] it's pretty silly". Paul Attanasio wrote that "the script is moronic and so riddled with improbabilities that the suspense element never takes root."

My opinion is that it is flawed in some ways, but as a example of 80's children-oriented sci-fi (or fantasy) it fits in as suitable family entertainment. My only real problem is with Michael McKean as the father. I just never could see him in such a straightforward "normal" role, mainly because of characters he had played that I had seen in the past: Lenny on Laverne and Shirley, David St. Hubbins in This is Spinal Tap, Mr. Green in Clue.

Referring back to the starring role actor, Barrett Oliver actually won some acclaim for his performance as Daryl. He won the Saturn Award for Best Performance by a Younger Actor, beating out, among others, Fairuza Balk in Return to Oz and Jeff Cohen in The Goonies. 

Wee, until next week folks, drive safely.

Quiggy


 

 


Sunday, February 15, 2026

Semiquincentennial Movie Project #7: Explorers

 

 

 

The Semiquincentennial  Movie Project is an ongoing celebration of the 250th anniversary of the founding of the United States. During the course of this project your humble blogger is choosing a movie a week to represent each of the 50 states in the Union, as well as a movie scheduled for 4th of July weekend that will represent the nation's capitol, Washington D.C. The order of the weekly entries will coincide with the order of each state's entry into the fold (although, not necessarily coinciding with the date of their entry into said fold).

 

 




 

Week #7: Maryland -



 
The state of Maryland was established on April 28, 1788

Details about Maryland:

State bird: Baltimore oriole

State flower: black-eyed Susan

State tree: white oak 

Additional historical trivia:

Francis Scott Key wrote the poem that eventually became the national anthem while observing a battle in the Revolutionary War from a ship in Baltimore harbor.

The official state sport of Maryland is jousting. (Really! Would I lie to you...?)

The state flag of Maryland (pictured above) is the only state flag based on British heraldry.

Elijah Wood, a native, created the ouija board (and thus was peripherally responsible for The Exorcist)

Famous people born in Maryland: John Wilkes Booth (assassin of Abraham Lincoln), Babe Ruth, Robert Duvall, Frank Zappa, Tom Clancy and Spiro T. Agnew (Vice-President under Richard Nixon) 

 



Explorers (1985): 

Children in sci-fi settings became a huge thing in the early 80's. Thanks (or blame, depending on your viewpoint) to Steven Spielberg and his huge E.T. the Extraterrestrial, children focused science fiction movies became a big thing in Hollywood, although to varying success. Trying to mine the gold that Spielberg found with his mother lode proved to be a difficult project. In the space of 8 years after the release of E.T we got several movies featuring pre-teens or teens in sci-fi and fantasy settings,  the likes of which included  Flight of the Navigator,  D.A.R.Y.L., Back to the Future, Wizard, The Last Starfighter,  and SpaceCamp in sci-fi settings, as well as kid-centric fantasies like Labyrinth, The Neverending Story, The Goonies and The Monster Squad.

The movie opens with Ben (Ethan Hawke) fast asleep and dreaming of flying over a circuit board that reminds me of nothing so much as the virtual world in the movie Tron. When he wakes up he hurries to his desk to sketch out a part of his dream, a diagram of the circuit board. Even though it is 3am, he calls his best friend, Wolfgang (River Phoenix), who is some sort of child prodigy... (and if you are having trouble picturing River Phoenix as a nerd, you and I are in the same boat...)


 

The next day at school Ben is getting the crap beat out of him by the school bully, Steve (Bobby Fite).  A fellow classmate, Darren (Jason Presson), jumps in to help Ben and as a result gains an initially unwanted friend. All three are sort of outcasts, and thus in terminology of the day, "nerds". Thus the three naturally develop a friendship.

 



Wolfgang has been hard at work trying to program the stuff that Ben gave him. (Firstly, let me point out what may be a nitpick. Wolfgang is working with a primitive, by today's stands, 128K computer. You have to suspend any disbelief that what he accomplishes here could even be done with that limited capacity of power, but then the whole movie does require some suspension of disbelief in order to watch, so...) Wolfgang creates a self-contained sphere, but then the computer starts working by programming itself.


 

 Eventually the three make the sphere big enough that they can crawl inside of it, but with limited oxygen, they can only stay in it a short while. But dreams to the rescue because Ben has another dream that night which solves the oxygen issue. Now they can actually use the sphere and navigate it around. To which they include making a seating arrangement by building a spaceship out of junkyard parts, which include a left over seat from a carnival Tilt-A-Whirl.

 


Thus seated in the Tilt-A-Whirl and surrounded by the sphere the three take off. among their first encounters is a jet that investigates this "U.F.O." Charlie (played by Dante film regular Dick Miller) gains a particularly strong motivation to investigate. (Charlie essentially becomes the comic relief in a movie that already had comedic elements, but...)


 

Eventually the kids make it into space and then the weird stuff starts to happen. Something takes over the computer controls and the boys are suddenly rocketed into deep space, where it appears aliens have commandeered the fledgling ship. And here's where it really gets weird... For the next 20 or 30 minutes the kids interact with the aliens, whose primary form of communication seems to be using stuff from old TV and radio shows.


 

It turns out that the aliens way of learning about Earth had been from intercepting the broadcasts of American TV and radio. (Just so you know, from a scientific standpoint, those broadcasts continue on indefinitely in a straight line after leaving Earth. But the question that comes to my mind is why only American TV? Didn't they intercept any signals from the other nations?) 

(As a side note: One of my favorite science-fiction authors, Jack L. Chalker, wrote a short story "Adrift Among the Ghosts" which had a similar theme. In that story an alien who was convicted of a crime is sentenced to a life in space collecting some of these old radio and TV signals for posterity in the alien's own society. Check out Dance Band on the Titanic which collects the entire short story output of a prolific novelist, but only rarely short story writer.)  

The comedy of this part is relentless, but at some point the boys are finally able to communicate with the aliens on some level. But you get the idea that these aliens are a couple of rocks short of a riot.

It turns out that these particular two aliens are not the ones in charge. And they aren't exactly supposed to be playing around with the controls of the spaceship they are on.

I'll leave it at that for now. 

Explorers had several unfortunate details in it's history that made it a less than stellar box office bonanza. For one thing, it was released only a week after Back to the Future and we all know what a blockbuster that one was. Secondly, it was also released just the day before the broadcast of the first Live Aid. 

The film ran into several problems during it's production. One of the excuses for it's slapdash finish was that the studio told Dante to wrap it up forthwith because they wanted to release the film much earlier than planned. A director's cut of the film was never released primarily because much of the footage that could have been used was lost or no longer available. It was not the film that the director wanted to release, so much as the movie the studio demanded on a shorter timetable, then.

The hurried release as well as the competition from movies still in the theater as well as those released shortly after (In addition to Back to the Future, Cocoon was still in the theaters, and E.T. The Extraterrestrial had been re-released) served to help sink it. It only managed to make about half of it's budget back while in theatrical release. 

Rotten Tomatoes currently holds the movie as "48% fresh". A blurb on the website claims that "Despite dazzling effects, a terrific young cast, and tons of charm, Explorers fails to soar past its '80s kiddie flick competitors." That cast, by the way, was full of first or early castings. Ethan Hawke and River Phoenix made their feature film debuts here. Both Amanda Peterson and Jason Presson had appeared in a couple of TV movies, but were also first timers in a theatrical release. Robert Picardo, who most people will recognize as The Doctor from Star Trek: Voyager got an early role here too, although you won't recognize him... he was the alien Wak and Wak's father. But he was also the character "Starkiller" in the movie playing at the drive-in when the boys fly by, so you might recognize him there...

Explorers  did not have the profound effect that people behind the scenes hoped it would have. It comes off a lot like a knock-off of a classic Spielbergian kids movie, and even the soundtrack has that feel. Jerry Goldsmith, the multi-time nominee for Oscars in the category of music, did the honors, but even that feels like something from a Spielberg movie.

Still, all in all, it's not a bad movie At least, not until they actually meet the aliens... I thought that part was a little ridiculous and a bit too long. I wish I could see the movie that Dante originally wanted to make. I have warm feelings for Gremlins and Matinee, and his segment in The Twilight Zone: The Movie ("It's A Good Life") is not at all bad. 

Well folks, until next time drive safely.

Quiggy 

 

 


 

 

 

Friday, June 6, 2025

Back to 1985 Blogathon is Here

 





There is something about 1985 (at least for those of us who were alive then) that resonates. And not just in movies. It was the year of the first Live Aid events (remember those?). We also got We Are the World, a phenomenon in itself. Both Playboy and  Penthouse published naked pictures of Madonna. Coca-Cola introduced "New Coke" in April. And due to the backlash from that fiasco, they announced the return of the classic Coke later that year. 

But also some of the most iconic movies of the 80's (or even all time) were released in 1985, like Back to the Future, The Breakfast Club and The Color Purple. Even movies that may or may not be as memorable came out that year. As I said on the announcement page for this blogathon, I think I saw more movies in the theater in 1985 than I saw any other year of my life.

So Rachel @ Hamlette's Soliloquy and I now present you with some of the more memorable of those movies, as presented by fellow bloggers who joined us in this celebration.  This list will be updated as more entries come in. Read about....


The Midnite Drive-In: "Science 101": Weird Science, Real Genius and My Science Project




Angelman's Place: Private Resort

 


 

18 Cinema Lane: The Bride 

 


 Hamlette's Soliloquy: Clue

 


 

 

Realweegiemidget Reviews: Letter to Brezhnev 

 


 

Any Merry Little Thought: Back to the Future

 

 


 

Sidewalk Crossings: White Nights

 

 


 

Taking Up Room: Jewel of the Nile 

 

 




 

Movies Met Their Match: The Breakfast Club 

 


 


Dubism: Brewster's Millions 

 

 


 

18 Cinema Lane: Mad Max Beyond Thunderdome


More to come...




Science 101: 1985 Style

 





This is my entry in the Back to 1985 Blogathon hosted by yours truly and Hamlette's Soliloquy.



So. In 1985 Hollywood decided to educate the public on the wonderful world of science, specifically on such topics as quantum mechanics, like time travel (Back to the Future), space exploration (Explorers), and the always interesting topic of robotics (D.A.R.Y.L.). While science fiction movies are "science" related (hence the name "science fiction", duhh...), most sci-fi movies have a more serious bent. And many times Hollywood has produced what are essentially horror movies, just with a science fiction aspect. (The Alien series comes to mind there.  Essentially Alien and it's sequels are horror movies taking place in a sci-fi setting).

But sometimes the movie bigwigs used a science or a sci-fi trope for a comedy movie, and in 1985 there were not one, not two, but three movies thrust on the public that were comedic views of that theme. And, coincidentally, all three were released within a week of each other, from August 2-9 of 1985. The three movies in question were Weird Science (which premiered August 2) and Real Genius and My Science Project (both of which debuted the following week, August 9)

All 3, put together, paled in comparison to the big money maker that year, (Back to the Future), in terms of box office draw. Back to the Future made $210 million dollars, while the top dog of the three in question, Weird Science made only $39 million (and that probably had more to due with John Hughes' involvement than the subject matter...) Real Genius pulled in $13 million, while My Science Project pulled in a paltry $4 million. Put together, that means all three barely made a quarter of what the top dog made.

Yet there were still some entertaining movies in their own right, despite the fact that neither of them cracked 80% on the Tomato-meter Scale (the determining factor of critical reception). In fact, one of them, My Science Project, is only ranked at 11% on the Scale.  

Whether or not they got any raves by the critics, the fact is that they can be seen as a microcosm of the science study community of high school and college  (albeit from a comedic standpoint). It is at least a refreshing diversion from the standard sci-fi of the era, one that typically had some rather aggressive aliens or other typical horror aspects involved.

 





Weird Science:

John Hughes, by 1985, had already had some success, both as a writer (he had scripted three of the National Lampoon Vacation movies) as well as a director. Sixteen Candles and The Breakfast Club (which is sure to be a choice in this blogathon) were both Hughes films. You could be forgiven if you though his directing career was a lot larger, I think.  Only 8 movies.  But writing scripts seems to have been a better forte. (30 scripts to his credit, including both Macaulay Culkin Home Alone films).

One of those 8 movies he directed fails to get the attention I think it deserves. In most of the online ranking lists I checked, Weird Science ranks either last or at least in the bottom half of the list. Although, to be fair, if you only rank the ones he directed, as opposed to wrote, I imagine anything above 4th place might be playing favorites on my part. So just for clarification, before going any further, I'll post my ranking. And note: this list is ONLY movies Hughes directed, not ones he wrote the script but were directed by someone else...

1. Planes, Trains and Automobiles  2. Ferris Bueller's Day Off  3. Uncle Buck  4. Weird Science  5. The Breakfast Club  6. Sixteen Candles 7. She's Having a Baby  8. Curly Sue

In this film, Gary (Anthony Michael Hall) and Wyatt (Ilan Mitchell-Smith) are two high school nerds who, as nerds often do, have no success in the female relationship part of their lives. They begin the film by standing around watching the girl's class gymnasts work out and fantasizing about the ultimate geek dream: A whole room full of naked girls pining for their over-amplified libido.  
 

 
 
But, unbeknownst to them, standing right behind them are two jocks (the mortal enemies of nerds worldwide), Ian (Robert Downey, Jr.) and Max , who pull down their shorts and yell for the girls to look. 
 

 
 
So within three minutes of screen time we already know where this is going to go...
 
So Wyatt and Gary go home where, guess what, there is no parental supervision... (is there every any in a Hughes film? I mean adult parental supervision... Not in any I've seen...) So while watching a video of the classic movie Frankenstein, these whiz kids decide to create their own girl friend.  But with the limited capabilities of Wyatt's PC, they are really getting nowhere.  So they hack in to a government system. Which is apparently pretty damn easy.  But chaos ensues, havoc ensues, irrationality ensues, and the system goes haywire.  And after the smoke clears, not only have the created a perfect woman, it's a real woman, not just a computer program... from a doll (think Barbie, not a blowup plastic fun toy, here.)
 
So. What would you little maniacs like to do first?

 
 
So, their first action?  Why, what else?  Take a shower with her. 



(If you thought I was going to post a picture of Kelly in the shower, sorry... Gotta keep this blog at least marginally family-friendly.)
 
 They decide that the girl's name will be "Lisa" (which saves me from having to refer to her as "The Computer Generated Woman" for the rest of this blog entry...)
 
Lisa and the boys are next driving down the road in a car, and it becomes apparent that Lisa has some powers, computer generated, that may (or may not) become useful.  She didn't steal this car, she tells them basically that she can do anything that she wants.  So she takes the boys to a bar. Of course, both boys being under 21, this could be a problem (and maybe it would in the real world, but this is the movies), but as Lisa keeps telling them, she can do whatever she wants, so she produces fake IDs for them.
 

 
 
Upon returning home, Wyatt is apparently able to hold his liquor, but Gary is plastered.  The boys run into Chet (Bill Paxton), Wyatt's older brother, and typical hard ass jerk. He blackmails Wyatt or he is going to tell the parents when they get home. 
 

 

The riot continues, whether at the mall or at Gary's house, where Lisa is up front with his parents about her intentions to take Gary to a good old-fashioned blowout party, whether the parents like it or not. (I saw a documentary about this film where one guy said this movie is "over the top.  But it KNOWS it's over the top. and it doesn't care." And believe me from here on out it goes places so far over the top you won't know whether you are up or down.)
 
At Wyatt's house the entire school shows up for a party.  Suddenly Gary and Wyatt are now the school's favorite people. And the party is going to be talked about at school for years... The bullies, Ian and Max, show up along with their girlfriends, Hilly (Judy Aronson) and Deb (Suzanne Snyder).  
 

 
 
Ian and Max try to trade their girlfriends for a chance at Lisa.  (Nobody said they were upstanding gentlemen).  But the boys decide to try to make another girl for the bullies instead.  But they forget the one key ingredient, a doll. 

Instead they get a full size nuclear missile.  And an appearance of a few motorcycle hoodlums straight out of Mad Max movie. (In fact, at least two of those actors were in Mad Max movies).  Wyatt and Gary finally show some balls and stand down these hoodlums.  The result is that both the bullies leave the party and suddenly Wyatt and Gary are the new boyfriends of Hilly and Deb.

Eventually it the party has to come to an end (and also the "party" that is this movie). But, as usual in a Hughes film, all's well that ends well.

Weird Science is absolutely one of the best teen movies of the 80's, but it would have probably gone the way of the dodo by now if it didn't have Hughes' hand on the direction, or for that matter, Anthony Michael Hall in the lead.  Hughes worked on the script for this movie during the off time he spent making The Breakfast Club.  (The man was a workaholic, I think.)  He already had his sights set on Hall for his main character and approached him during the filming of the previous movie.

If you've seen Sixteen Candles and/or The Breakfast Club, there are a lot of similarities between Gary and Brian in The Breakfast Club and Farmer Ted in Sixteen Candles.  Interestingly enough, Hughes wrote the parts of Cameron in Ferris Bueller's Day Off and Duckie in Pretty in Pink for Hall, but Hall, afraid of being typecast, turned them down.

The movie had mixed reviews.  Roger Ebert gave it 3 out of 4 stars, but some other reviewers though it tried a little too hard to reach a wider audience than what was basically meant as a "teen" movie.  My personal opinion is this movie still has something even though I'm 40 years older than the relatively young person I was when it first hit the screens.  It's endearing in it's sentimental side, and still riotously funny during it's comedic moments.
 
 



 

Real Genius:

Real Genius moves from the high school geeks of the previous film to the college geek scene. 
 
The movie opens with the credits, but instead of some 80's new wave or pop hit playing over it, we are treated to a 50's jazz  song, Carmen McRae's cover of "You Took Advantage of Me". Considering the basic premise of the movie, it fits, at least in title, but we are off to a weird start, if you ask me.
 
In a secret laboratory, several top brass watch a promo for a laser weapon that can find and blast an individual person, without causing any damage in the area surrounding him.  David Decker (Ed Lauter) tells the assemblage that it is not a tactical weapon for war, it's a "peace time" weapon. One of the personages present takes offense at where this is going and leaves and it is intimated that George is going to find himself a non-entity in the immediate future. Serious business for a comedy.
 
 
To get the weapon built, Professor Hathaway (William Atherton) is recruited to use his students to do the work.  Hathaway wants Mitch (Gabriel Jarret), a high school phenom, to come on board. Mitch is only 15, but he is at least Einstein level IQ. And a physics whiz kid.  So Mitch agrees to come to enroll at Pacific Tech.

Here's where the movie finally starts to take off.  Mitch, it turns out, is the only one grounded in reality. Chaos rules in the physics department at Pacific Tech, as well as in the dorm rooms.  It turns out that Mitch's roommate is going to be Chris Knight (Val Kilmer), the previous phenom at the institute. But Mitch has a couple of screws loose, or at least it seems.  The first time we meet Chris is when he walks in wearing an "I Love Toxic Waste" t-shirt and a headband with springy bobble balls (wish I could remember what those things were called). One of hist first lines is, when he is complemented as 1 of the top 10 minds in the world: "Maybe one day I'll be 2 of them..."
 
 

 

At the dorm room Mitch encounters more chaos, including finding his suitcases ransacked.  No, nobody stole his clothes.  Chris just decided arbitrarily to file them in his own bizarre system. Mitch also encounters a weird guy who comes into the room, says nothing and disappears into the closet.  But when tries to follow there is nothing there but a closet, just like you'd expect.

Meanwhile we discover Hathaway is remodeling his house. I know college professors with tenure make good money, but probably not this good.  It turns out, of course, that Hathaway is not a good guy.  He's been funneling money from the government grant for his own purposes. (Gotta love William Atherton. He plays the a-hole role well, no matter what he's in.  Check out his smarmy government stooge in Ghostbusters, or another classic role as the reporter in Die Hard.)
 

 
It seems like everybody is just slightly off kilter here at Pacific Tech. I remember when I went to college there were a few, like Big Ed at my junior college, but it seems like maybe the whole university is a little wiggy.

Back at the dorm, the science nerds turn the entire dorm floor into an ice rink. Much to the dismay of the (seemingly) only normal guy on campus, Kent (Robert Prescott).  Kent, however, is not straight laced as he might seem.  He is a typical brown noser, who reports any shenanigans to daddy, I mean Professor Hathaway. 
 
 
 
Mitch meets Jordan (Michelle Meyrink), who is quite a bit different from the only other movie I saw her in, Revenge of the Nerds. I gawped when I saw the credits and found out it was her.  Sure she had some attractiveness to her as Judy, but she was gorgeous as Jordan.  Jordan is a hyperactive girl who claims she never sleeps (and it's believable...) Meyrink only had a brief 5 year career as an actress, but decided to leave it for the private sector.




Mitch approaches Chris and tells him he had a weird night. 

"Was it a dream where you're standing in a robe next to a pyramid, with 1000 naked women screaming and throwing pickles at you?"

"No."

"Why am I the only one who has that dream?"   

 
Eventually Mitch finds out about the strange guy and his hidden basement behind the closet. Chris tells Mitch that it's Lazlo (Jon Gries), a former phenom who got so over-stressed that he became the recluse that he is now, and that Lazlo is the reason why he stopped being so serious and went a little haywire. And it's also the reason why he is trying to keep Mitch from ending up like Lazlo.
 


Chaos continues at the dorm, including a scene where Chris helps Mitch get revenge on Kent by dismantling Kent's car and reassembling it in his dorm room.  Meanwhile Hathaway is getting pressure from the government big wigs to get his project completed.  Getting no results from Chris, Hathaway tells him he is going to flunk him.  Chris and Mitch finally get together and make the laser a success.  But then they find out about the future use of the laser and decide to change the minds of the people involved.
 

 

The long story short is more chaos as all of the students involved in the project, except Kent, of course, plot a major plan to cause the laser to function in a way that will make neither the bigwigs or Hathaway happy. Popcorn and houses are apparently not a good combination.

Real Genius may not be quite as funny as Weird Science, but it does have a lot going for it, especially in terms of how the real science really plays a larger part in how it all plays out.  Who knows.  Had I been about 5 years younger by the time it came out, and still debating on my future, I might have decided a physics degree might have been a cool thing.  (I majored in history, which my long time readers already knew, but some of you may be reading this blog for the first time.)

Val Kilmer showed incredible acting ability in this early feature.  I had seen him in Top Secret! which was hist first role, and was starting to notice him and like him. It would be another 6 years before I saw him again, in The Doors. (Again, if you have read my blog, you already know I would NEVER have watched Top Gun, and you also know why..)

There was an episode of Mythbusters where the guys tried to see if the end scene could actually happen.   They decided popcorn, although it could expand using a laser, probably wouldn't cause that much damage. Oh, well. Still a cool revenge.
 
 



My Science Project:

The least familiar output of these three would have to be My Science Project. At least the other two had some big name associated with it. John Hughes (Weird Science)  and Val Kilmer (Real Genius) are the most likely candidates for each.

But My Science Project didn't even list any of the actors/actresses in the credits part of the movie poster.  John Stockwell, the star of the film, had been one of the main stars of John Carpenter's Christine and he had a few roles before that, but he wasn't a name yet (whether you could say he is now is a matter of preference...) The only real big name attached to it was Dennis Hopper, but even his name doesn't appear on the poster...

The rest of the cast is made up of character actors who really had no recognizable impact on Hollywood. That's not to say they wouldn't be familiar in any sense of the word, just that they weren't the headline making kind of people. Fisher Stevens, for instance, was the star of Short Circuit, but unless you were paying attention you might miss him in other films. Barry Corbin might be familiar as John Travolta's father in Urban Cowboy or a few other movies.  He has that familiar a face, but mostly he was a sideline character in those movies.  
 
The movie was pretty much a bomb, so much so that it was only in theaters for 2 weeks before they pulled the plug on it. I remember hearing about the movie, but it never made it to where I was living at the time,  so I didn't get to see it in theaters.  It's pretty much a typical mid-80's romp, featuring high school students trying to pretend they know what they are doing, but barely having a clue what their future holds.

So the movie begins in 1957. A U.F.O. crashes and is taken to a nearby Air Force Base.  President Eisenhower tells an Air Force officer to just "get rid of it". The film never really establishes the source of U.F.O. crash and it's resulting capture, but I think we are supposed to believe it was the famed Roswell incident.  There are a couple of dead aliens (only mentioned, not seen) and Eisenhower getting involved puts it around the same time as that event.




28 years later. In a science classroom, the science teacher, Mr. Roberts (Dennis Hopper), is asking his students what their science project is going to be. The science project is going to be a major portion of their grade.  Mr. Roberts, who is obviously a 60's burnout who wangled a job with "the man", insists that his students call him "Bob", because the only people who call him "Mr. Roberts" is "The Man"...

Mike Harlan (John Stockwell) is a typical car enthusiast who is just hoping to get through high school so he can devote his time to his one true love. Cars.  He spends more time obsessing about cars than he does about his girlfriend, which causes her to break up with him.   He is devastated, of course.. for about 10 seconds... Then he chisels off her name plate on his car and gets on with life, with some sage advice from his pal, Vince (Fisher Stevens).

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Ellie Sawyer (Danielle von Zemeck) is a friend who is smarter than the average girl.  We know this because, not only is she a psych major (or a journalism major... it keeps changing...), but... she wears glasses. 
 
 

 
 
(This movie is rife with cliches; the 60's adult who is forced to take a day job, the guy who barely gets by in school because he just knows only one thing, the girl who is actually pretty, but is a wallflower because she wears, gah!, glasses). Ellie manages to wangle a date with Mike.  Only the date involves breaking into an abandoned Air Force base, because Mike thinks he can find something there that he will be able to pass off as his science project.
 
Mike falls through some loose floorboards into a basement in the base and finds a weird object that he thinks will do the job.  It, of course, is something that came from that U.F.O.  (And a brief warning: Children shouldn't play with alien technology. But do these kids stick to that rule?  Well, honestly... no.) The thing sucks all the energy from two flashlights and ultimately disables Mike's car, at least the electrical part of it.  He calls his buddy Vince to come bail him out, because, God forbid the kids at school find out his car broke down.  (And, BTW, how come Vince's car doesn't break down while he is pushing Mike's disabled car...? This thing does suck energy, and that other car is just right behind it.)
 
 

 
When Mike hooks up the object in the school shop classroom, it starts to absorb energy from everything around it.  It gradually gets a little more powerful.  And starts bringing in objects from somewhere in the past, a clear  indication of it's capabilities. So, Mike brings his friend Vince into the secret.  But since neither of these mental giants know what they've got, they go get Bob to come look at it. And despite being a little burned out, Bob seems to have a line on what it really is.  It creates some kind of a vortex that opens up the space-time continuum.  Don't ask me how he knows... I guess in addition to doing drugs back in the 60's, he was also an enthusiast for the kind of esoteric knowledge that was later passed on to Fox Mulder.
 

 
In playing around with the (admittedly cheesy looking) vortex, Bob disappears.  Mike and Vince decide the only way to stop the object from getting any stronger is that they have to blow up the power towers outside of town.  Which they do.  But this thing is even bigger than they thought.  When they get back to town they find out that the whole school has been engulfed in the vortex.  And at this point, I have no idea what the hell is going on. 

(I later thought it through and came up with this, which may or may not be right. The aliens had to have some sort of technology to bend space so that could travel across light years without it taking, literally, years.  This contraption is what helps them do it.  If used right.  But then, Mike and company have no clue how to use it the right way...)

Anyway, on returning to town, Mike and friends have to do battle with all sorts of threats, including a caveman, Viet Cong soldiers, Cleopatra and even a T-Rex. (The T-Rex scene is probably the only part of the movie that anyone remembers....)



 
Ultimately things do turn out well, although how anybody is going to explain the demolished school is anybody's guess.  And maybe, just maybe, things aren't completely hunky dory at the end anyway...
 
My Science Project differed from the other two movies in this post in one major respect. The others centered on a character trope of what we called "nerds". Nerd was a term, often used derisively by the other cliques in high school for the class bookworm. I was considered a nerd, but I for one always liked the appellation.  I proudly wear my "nerd" badge with honor.  Mike would have probably been a "greaser" in my school, and there again, I knew "greasers" who were not shy about accepting that term for themselves. Thus, as one who is no where near a "nerd", Mike's character stands out from the characters in the previous two, though he no less susceptible to getting into trouble.
 
The only real part of this movie that makes absolutely no sense is the development of a relationship between Mike's father and a cosmetics sales woman, Delores (played by Ann Wedgeworth).  The whole affair does nothing to advance the plot and could have been left on the cutting room floor without taking anything away from the movie proper.

My opinion of this movie, after watching it, is that it does have some entertainment value.  Even though it's riddled with enough cliches to make it seem like a hunk of Swiss cheese... Swiss cheese from when Swiss cheese was invented, no doubt... The movie hearkens back to the first movie in this post, because in both we have a couple of guys who are clueless about the technology they are dealing with and make every mistake known to man trying to correct their mistakes, to intermittent success.
 
Overall, all three of these movies are entertaining, taken as they are.  Personally, I think the movies rank with Real Genius narrowly beating out Weird Science as the best movie in the three, with My Science Project bringing up the rear. If you really want to see Hopper overact, go with Speed, or maybe  coincides with my view of their entertainment value.  If you only delve into one, it's your choice, of course.  Some of you who absolutely love Val Kilmer will probably gravitate toward Real Genius, and those of you who admire John Hughes will probably stick to Weird Science.  Except for those who are fans of Dennis Hopper's typical over the top characters post Easy Rider, I imagine most of you won't pick My Science Project (and on that, I must warn you, Hopper's character is only in the movie for about 15 minutes total. If you really want to see Hopper overact, go see Speed, or maybe Super Mario Brothers).
 
Well, I'm about to fire up the Plymouth and see if I can turn it into a spaceship.  Then maybe I can really go HOME!
 
Quiggy